marcin
(Marcin)
#1
early Palazzeschi. The results, even though
noteworthy, remain nevertheless in the
confines of an effort that comes to terms
with the near and not so near past.
The true novelty is ushered in by Mauro
Marè who, after his 1977 debut with Ossi di
pèrsica [Peach Stones], (with a preface by
Giuseppe d’Arrigo), gradually finds a
personal and original direction that utilizes
Roman dialect in an experimental way, but
without disavowing the patrimony of
tradition. But the poet makes the
patrimony’s eyes spin, its hair stand on end,
its teeth fall off. Already the poetic attitude
found in Cicci de sellero, [Celery Heart]
1979, is different from that of a few years
before; one can see that he is fascinated by
spoken speech, but more for what it offers in
the deformations of a stuttering ideal or of a
schoolchild who bungles language than of a