marcin
(Marcin)
#1
from him it has become indispensable to
look for contaminastion.” This
contamination takes place in Célinian
fashion first in Verso novunque [Verse
Nowhere] and then in Controcore
[Counterheart] which take us inside a
disorientating dimension of precariousness,
even linguistic. But in this disorientation
there is no estrangement, rather the
opposite, with that lucid analysis of the
world that crumbles and gets stranded on
the neurotic possibilities of the inhuman
disarray of a race toward nothingness. In this
poetry there is all the muriatic acid of a
civilization whose rhythm is constantly
thrown off by the need of a relationship
with life that Marè pursues in plenitude and
enchantment and that puts him ill at ease
primarily for the senses that appear and
disappear, offer themselves and combine