marcin
(Marcin)
#1
and those subtle glosses of the spirit that live
outside the sheet of paper and often become
the very essence of the composition.
When Marè was utilizing Belli’s and
Trilussa’s traditional poetic or sarcastic
realism, he remained bound to subjects that
did not disdain the social element and
therefore the descriptive and, in the final
analysis, sententious commentary, maybe at
the margins; now his poetry is prompted by
a need to look inside himself and an almost
hermeneutical need to comprehend what is
happening to words and hence to poetry.
Giacinto Spagnoletti has discerned in
Verso novunque, 1988, the harrowing anguish
of a human and poetic condition that makes
of Marè an author who has rejected the
facile exultation of poetry in order to put
back into it a density of life which would
otherwise have been lost. This entails a