marcin
(Marcin)
#1
contemporary reality and open to
completely renewed forms and contents. No
longer solely the dialect of the vignette and
the farce, the caricature and the idyll, the
sonnet and the maxim, but a dialect that
comes to grips with social and political
themes, for example, endowing them with
new referents and new meanings; or a
dialect that expresses the inner world of the
poet, projecting his feelings onto a backdrop
of solitude and anguish, everyday
ingredients of the civilization of the
machine. What takes place, in short, is a
closing of the gap between the exigency of
the real event, or rather of the realism of
dialect poetry, and the exigency of aesthetic
representation, based on a well-defined and
mature expressive capacity.
One can maintain that Apulia has also
achieved these results, freeing dialect from