marcin
(Marcin)
#1
however, interprets better than anyone the
change, the continuity and the synthesis of
what took place approximately in the
Twenties and Thirties until the flourishing of
neodialect poetry, but he interprets even
that spirit of a thousand spirits, that
international Neapolitanness that saw him
as a chansonnier, actor, author, mime,
acrobat, playwright. His poetry, as was said,
is unpredictable, it moves by fits and starts,
in waves, creating at first a feeling of
disorientation. At any rate, there is a
predilection for the spoken word, that seems
to assign to things and emotions an
irreverent, conspiratorial sigh, as if Viviani
were at the same time pupil and teacher,
thief and policeman.
The list of poets becomes longer (even if
the quality of the texts increases on average
with respect to previous decades), but