marcin
(Marcin)
#1
culture. Croce did not have a high regard for
him, he considered him to be like so many
other Neapolitan poets who wrote smooth
verses lacking the resonance of real poetry.
One can imagine the dispute Russo gave rise
to over the diffidence and shortcomings of
the great critic, but also over the comments
of other poets, like Murolo, Bovio and
Galdieri, who took Croce’s side.
But beyond the fracas raised by Russo
among friends and enemies, he remained
the poet who, in his moments of grace, was
able to create unforgettable pages, subtly
ironic or “chorally” knowing.
In the conclusion of his book, Luigi Reina
describes him as follows: “Russo then was
not a champion of regional and dialectal
Verismo, stricto senso, but an intellectual
typical of the post-unity and southern
generation tied to a concept of culture