marcin
(Marcin)
#1
director of RAI in Bari, an established
novelist, prolific essayist, many-faceted poet,
has bent Melfi’s dialect to markedly
experimental results in Giocodoca (Schena,
Fasano, 1981). The severed tongue of dialect
remains a collective instrument of identity
and recognition, although irony and skillful
wordplay overwhelm the subject at hand. In
Giocodoca Nigro employs his idiolect
polemically, in order to sing how for all of us
who tempt our luck is “a snake and ladders
game this passing day,” how “these words
are like a gunshot,” capable of raising
philosophical questions, even with the
political use of analogy. The twenty poems
o f Giocodoca, always graphically
(un)composed, with six dialect texts of
various texture, place Nigro, a keen student
of popular traditions and the southern
mindset, in the groove of the experimental