marcin
(Marcin)
#1
world of childhood, that can be evoked
through poetry but is unrepeatable. The
aversion to naive folklorism and idyllic
landscapes is unconditional in a poet who
pours into the Tursi dialect his need to
escape the simple language of
communication. Even when he is epic,
Pierro places himself at the center of the
song, he filters the subject through personal
memory, with moods which are
embarrassing for the ambiguity between
sleep and wakefulness, with the recognition
of someone who knows that reality is no
longer modifiable and goes on living with a
cult of the lost past, expressed in a chtonic,
mournful voice, inconsolable in the love
poems. In this fashion his poetry follows the
wake of the “crepuscolari” and of Pascoli,
Biagio Marin and P. P. Pasolini, adding his
own unmistakable new signs, of very high