Historical Painting Techniques, Materials, and Studio Practice

(Steven Felgate) #1

  1. Thompson, op. cit., 61.

  2. Berger, E. 1975. Quellen und Technik der Fresco-, Oel-und Tempera-Malerei des Mit­
    telalters ... Walluf-Nendeln: Sandig Reprint, 195.

  3. Borradaile, op. cit., 55-7.

  4. Armenini, G. B. 1977. On the true precepts of the art of painting. Edited and translated
    by E. J. Olszewski. Burt Franklin, 194.

  5. van de Graaf, op. cit., 174. Passage translated by the author.

  6. van de Graaf, op. cit., 164. Passage translated by the author.

  7. Brinkmann, P W F., et al. 1984. Het Lam Godsretabel van van Eyck ... Bulletin
    de l'Institut Royal du Patrimoine Artistique (20):164.

  8. Massing, A. and N. Christie. 1988. The Hunt in the Forest by Paolo Uccello. Bulletin
    of the Hamilton Kerr Institute (1):36.

  9. Veliz, Z. 19 86. Artists' Techniques in Colden Age of Spain. Cambridge: Cambridge
    University Press, 168-69.

  10. Croeker, J. M. 1982. Der wohl anfuhrende Mahler. Rottenburg: Kremer-Reprint,
    110.

  11. Thompson, op. cit., 29-30.

  12. Ludwig, op. cit., 244-7. Passage translated by the author. See also Chastel, A. n.d.
    Leonardo da Vinci. Samtliche Cemalde und die Schriften zur Malerei. [Darmstadt]:
    Wissenschaftliche Buchgesellschaft, 351-52.

  13. van de Graaf, op. cit., 174.

  14. Goetghebeur, N., and L. Kockaert. 1980. Le grand Calvaire d'Albert Bouts au
    M usee des Beaux-Arts de Bruxelles. Bulletin de l'Institut Royal du Patrimoine Ar­
    tistique (18):5-20.


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