Understanding and Teaching the Pronunciation of English.pdf

(Greg DeLong) #1

  • Choral repetition: When you have students repeat
    after a model, do it in di"erent ways—sometimes with
    the whole class repeating together, sometimes only the
    left or right half of the class, only the boys, only the girls,
    only people whose birthdays are in a certain month, or
    whatever rule you can think of. This makes it a little
    easier to hear how well the smaller groups are doing, and
    the variety keeps students more alert.

  • Pair work: This can range from very simple to more
    complex activities—reading sentences to a partner,
    practicing a dialog together, or doing information gap or
    communicative activities. (See Chapters 7 and 13 for
    examples.) Students can also work in larger groups, for
    example, with two people practicing a dialog or role
    play as a third listens and checks on a certain aspect of
    their pronunciation.

  • Go low-tech: Use low-tech tools such as listening tubes
    during student practice. This helps students hear their
    own voices while cutting down on the noise they hear
    from the many students around them. To lower the cost
    of using these in a big class, have students cut and
    assemble their own listening tubes from heavy paper (See
    Chapter 7 for instructions.)

    • Go high-tech: Have students record their pronunciation
      practice for you to listen to and evaluate. To prevent this
      from taking an impossible amount of your time:

      • Don’t do it all at once. Have just some of the students
        record their practice for each class, eventually getting
        around to all the students.

      • Keep the recordings short—maybe 30 seconds each.

      • Give your comments e#ciently by circling problem
        areas on a script of the practice passage and adding
        quick notes. Don’t try to respond to every aspect of the
        recording—just a couple of points that you’ve told the
        students to concentrate on.

      • Use a website that collects all the students’ recordings
        in one place where you can easily listen to them, such
        as Voxopop (http://www.voxopop.com) (See Chapter
        13.) Just click on the recordings one after another to
        listen. I’ve found that this is much less complicated and
        time consuming than having students email recordings.






Teaching in an ESL or EFL context
The location of your teaching—in a country where English is
a commonly spoken language or one where it’s seldom heard
—makes a big di"erence in your teaching. In ESL classes in
countries such as the U.S., Canada, Britain, or Australia,
students can more easily see the usefulness of having good
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