Fundamental Concepts of Architecture : The Vocabulary of Spatial Situations

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possibilities for localization are produced by the ambiguous
superimposition and intersection of spatial volumes (3). In
general, transparency refers to the covering up, obscuring, or
displacement of spatial delimitations.


  1. Even literal transparency, which is present in build-
    ings as a rule through glazing, is an ambivalent trait. To begin
    with, reflections, condensation and soiling often interfere with
    full transparency; even more importantly, our experiences of
    glass tend to be highly contradictory. Glass appears immate-
    rial, so that it becomes imperceptible. To the touch, however,
    it is hard and solid, and it can be dangerous to underestimate
    the force of its resistance. Even its transparency is a contra-
    dictory quality. Jean Baudrillard describes an ‘ambiguity of
    atmosphere, the fact that it is at once proximity and distance,
    intimacy and the refusal of intimacy, communication and
    noncommunication. Whether as packaging, window or parti-
    tion, glass is the basis of transparency without transition: we
    see, but cannot touch. (...) A shop window is at once magi-
    cal and frustrating – the strategy of advertising in epitome.’
    (1968/2006, 42) Through multiple reflections, structured or
    printed glass or other less transparent materials expand the
    play between display and withdrawal, providing additional
    stimuli to our powers of imagination. Buildings with large
    window surfaces or expensive glazing appear wholly trans-
    parent. On the one hand, they expose the interior to the point
    of shamelessness, as in the ostentatious style of the window
    display. On the other hand, transparency suggests openness.
    The transparent architecture of Günther Behnisch’s Parlia-
    ment Building in Bonn, for example, is intended to express
    the principle of democratic decision-making. Thoroughgoing
    transparency calls into question the difference between inside
    and outside, which is the very basis of architecture. Now, ar-
    chitecture surrenders that which actually constituted it in the
    first place.

  2. A spatial envelope that admits light, which it filters
    or disperses, but not the gaze, is referred to as translucent.

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