Drawing the Human Figure chapter 12
The highlight on the top half of the back differentiates the back into two
separate planes. The plane that the spine lies on is shown by the square.
The smaller rectangle shows a different plane of the body. This plane is
turning away from the plane of the spine. Of course, this is a rough
approximation, as the body is curved and not square. When you draw a
human figure, you have to be aware of the body’s round forms. There are
no hard edges to distinguish one plane from the next. Of course, you can
simplify the form as much as you want, just as in the Poussin example
(see page 230) and those of many other artists. Successful simplification
of the figure reveals an extensive knowledge of it. When you begin to
draw the human figure, you want to gain as much knowledge through
observation as you can. With this knowledge, you will be able to simplify
these complicated forms and make them appear believable.Here are some more planes of the back’s surface. The smaller square
shows that the back is facing a different direction from that of the previ-
ous example. If you find this difficult to understand, sit in the same posi-
tion and feel your own back. You will feel how the top of your back is
facing upward. As you move your hand down your back, notice how the
angle of the back changes. It assumes a different plane to the top of your
back. The larger shape shows the back rounding to the side of the body.
This lower half of the body is facing a different direction, compared to the
top part of the body, which is outlined in the previous example. This lower
part of the body is now more vertical compared to the top half of the
back. Be aware of how the surface of the back changes direction. If you
understand this concept, and are aware of the resulting tonal changes,
you will achieve a solid three-dimensional form.Here are more planes of the body, indicated at the top and side plane of
the thigh and along the top and side plane of the arm. The neck can also
be treated like a block too. Two additional planes, the side and the back
of the neck, are also shown. To make all of these areas appear round, you
must subtly vary your tone from one plane to the next, to distinguish
them from each other. If you do not, the area will appear flat, and you will
not achieve a roundness of the form.CONTINUED ON NEXT PAGE