92 !!Chapter 6
If an arrangement requires a rhythm section, a string section, and a
horn section (performed by live musicians), internalize the sound and
style of the arrangement. Do not rely on an instrument, such as a keyboard
or a guitar, to aid in the writing process. A composer’s limited technique
might hinder the creative process because composers might write only
what they are able to perform.
Considerations
Is an acoustic bass (double bass) or an electric bass most appropriate for
an arrangement? If the choice is an electric bass, is a fretted bass or a fret-
less bass most conducive to the arrangement? The sounds differ. Most jazz
bassists use a fretless bass, whereas most rock bassists prefer a bass with
frets.
There are many electric guitar configurations; hiring a guitarist speci-
fies the mood that will best suit the track. If an acoustic guitar is preferred,
should the sound be that of nylon strings or steel strings? Should the gui-
tar have twelve strings or six strings? These factors affect the overall sound
of an arrangement.
How should the drums be tuned? For example, should the snare drum
have a tight, high sound or a deep sound? Should the bass drum sound
tight and dead or have a deep thump?
String Section
The size of a string section depends on the constraints of the budget. The
choice of instrumentation depends on the desired sound. The number of
violins, violas, celli, and basses will affect the sonic image. The larger the
section, the richer the sound.
Assuming that the budget allows for six string players, arrangers use
different combinations, depending on the needs of the arrangement. If the
section is small, some arrangers might use only violins; others might use
three violins, two violas, and one cello, while others may hire four violas,
one cello, and one double bass. There are no rules. Creative arrangers
know the best instrumental combinations that will help to accomplish
their creative goals.
Horn Section
The instrumentation depends on the desired sound of an arrangement. Let
us assume that the budget allows for six performers. If the intention is to
create power and excitement, the arranger might write for two trumpets,
one tenor trombone, and one alto saxophone, one tenor saxophone, and
one baritone saxophone. Multiple instrumental combinations will produce