The Origins of Music: Preface - Preface

(Amelia) #1
Carol Whaling

Abstract
Songbirds must learn to sing. Vocal learning involves several different processes,
including selection of an appropriate song to serve as a model, memorization
of the model, and retrieval of the model to direct development of adult song.
To learn to sing, many species must hear song during a sensitive period early in
development. Birds deprived of this experience sing abnormal songs that are not
improved by exposure to song later in life. Selection of a song to serve as a model
for learning is guided by instinct. When young birds raised in captivity are played
tape recordings of their own species’ songs as well as those of other species, they
choose to learn the ones of their own species, demonstrating innate ability to
recognize these songs.
Studies of the neuroanatomy of songbirds have uncovered neural circuits
involved in song learning, production, and perception. I review aspects of the
development and the organization of these brain regions in relationship to song
learning to address the neural basis of sensitive periods and learning preferences.
The knowledge we have gleaned from these studies may provide a new per-
spective from which to approach studies of human music acquisition.

Calls and songs of birds are an almost inescapable part of our sur-
roundings, and reveal how essential vocalizations are in the life of birds.
Simple vocalizations, referred to as calls, often function to maintain
contact among a flock, or alert others to danger or to a potential food
source. Songs, longer and more complex than calls, are used to identify
individuals, establish and defend territory boundaries, attract mates, and
even stimulate the reproductive tract and reproductive behavior of one’s
mate.
Learning plays an important role in the development of song. All
species of songbirds that have been studied to date must learn to sing
(Kroodsma and Baylis 1982). Since songbirds make up almost half of the
existing 9,000 avian species, song learning is presumably widespread. It
also is in other branches of the avian family tree including parrots and
their relatives (Todt 1975; Farabaugh, Brown, and Dooling 1992) and
hummingbirds (Baptista and Schuchmann 1990). Birds with simple
vocalizations, however, such as chickens and doves, do not have to learn
their calls (Konishi 1963; Nottebohm and Nottebohm 1971).
To test whether learning is required for normal song production, birds
are raised in captivity without an opportunity to hear other members of
their species. Chickens raised in such acoustic isolation still sound like
chickens, whereas songbirds sing abnormal, simple songs, called isolate
songs (Marler 1970; Marler and Sherman 1985; figure 5.1). This depen-
dence on learning by many avian species is surprising considering
that even our closest relatives, monkeys and apes, do not have to learn

5


What’s Behind a Song? The Neural Basis of Song Learning


in Birds


MUS5 9/14/99 11:59 AM Page 65

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