* omslag Between Stillness PB:DEF

. See http://leonardo.spidernet.net/Artus//ps.htm [last accessed January,]
. Contrary to what is normally reckoned, it is actually dialogue in this film, but ad-
mittedly, not used for the same purpose as in the classic entertainment film.
. Ira Koningsberg,The Complete Film Dictionary,p..
. The title,Solvorn, refers to the name of a village at the Western part of Norway
where the photographs on which the film is based were originally taken.
. See the interview by Georgie Hobbs“Año Uña: Photo Montage Film”at Dazed Di-
gital.com, publishedNovember: http://dazeddigital.com/ArtsAndCulture/
article///A%C%Bo_U%C%Ba_Photo_Montage_Film, last accessed Janu-
ary,.
. The stills were taken with a Pentax Spotmatic and the motion-picture segment was
shot with amm Arriflex.
. See Koningsbergp..
. See larry-(March)“Keep an open mind and you’ll be rewarded”avail-
able at http://www.imdb.com/title/tt/usercomments [February,].
. Dennis, James (November),“Año Uña (Year of the Nail) Review”, available at
http://twitchfilm.net/reviews///ano-una-year-of-the-nail-review.php [last
checked January,].
. See pei_jin_lin (September)“An experience of time in a highly intimate and
original style”, http://www.imdb.com/title/tt/usercomments [accessed Janu-
ary,].
. See larry-(March)“Keep an open mind and you’ll be rewarded”avail-
able at: http://www.imdb.com/title/tt/usercomments [February,]
. See pei_jin_lin (September)“An experience of time in a highly intimate and
original style”, http://www.imdb.com/title/tt/usercomments [last accessed
January,].
. See Douglas Crimp/,p.. Cf. also George Bakerp..
. See Baker,p..
. Ibid., p..
. Christian Metz,“Photography and fetish”,[],p..
. Noël Carroll,“Towards an Ontology of the Moving Image”in Cynthia A. Freeland
and Thomas E. Wartenberg (eds.)Philosophy and Film, Routledge, London, N.Y.,
,p..
. As many have remarked, there are some similarities between this story and the
story of Alfonso Cuarón’s filmY Tu Mamá También(And Your Mother Too). In
Y Tu Mamá También, two over-sexed and under-occupied seventeen year old boys
meet a-year-old woman, flirt with her and invite her to accompany them on a trip
to a beach they are unsure actually exists. Soon the three are headed out of Mexico
City, making their way toward the fictional destination.
. See Aristotle [-BC]p.-.
. See Henry James,“The art of fiction”, in Shapira, Morris (ed.),Henry James: Selected
Literary Criticism, Harmondsworth: Penguin, orig. publ.,p.. See also
Shlomith Rimmon-Kenan,Narrative Fiction: Contemporary Poetics. London: Methuen,
[],p..
. Peter Brunette and David Wills,SCREEN/PLAY. Derrida and Film Theory.,p.
.

104 Liv Hausken