. Michael Fried,Absorption and Theatricality: Painting and Beholder in the Age of Diderot
(Chicago: University of Chicago Press,). It is Mark Godfrey who has pursued
the analogy of Lockhart’s work with modernist painting most interestingly (and
with whom I am only partially disagreeing here), in his essay“The Flatness of Pine
Flat,”Pine Flat, pp.-.
. Francis Stark discusses this maternal metaphor, distinguishing Lockhart’s treatment
of childhood from an artist like Larry Clark, in“Not Church, Not School, Not
Home,”Sharon Lockhart: Pine Flat, pp.-.
After“Photography’s Expanded Field” 135