* omslag Between Stillness PB:DEF

General Bibliography

This bibliography is not exhaustive. It is general in the sense that it is not limited
to studies on stillness and motion in cinema, photography and new media,
bringing together references from various disciplines and research areas. Partly
a selection of the references cited by the different contributors, it cites entries
relevant for the contextualization and theory formation of the subject.

Adorno, Theodore.In Search of Wagner. London: NLB,.
Agamben, Giorgio.“Notes sur le geste.”Trafic,.
Albera, François and Maria Tortajada. Cinema before Film: Media Epistemology in the Mod-
ern Era.Amsterdam, Amsterdam University Press,.
Altman, Rick.Sound Theory, Sound Practice. New York: Routledge,.
Amad, Paula.“Cinema’s‘Sanctuary’: From Pre-documentary to Documentary Film in
Albert Kahn’sArchives de la Planète(-).”Film History.,.
Amad, Paula,“Les Archives de la planète d’Albert Kahn (-): Archives ou contre-
archives de l’histoire?”Le cinéma d’Albert Kahn: quelle place dans l’histoire?; Les Cahiers de
la Cinémathèque, Dec.,.
Anderson, Joseph &Barbara Fisher.“The Myth of Persistence of Vision.”Journal of the
University Film Association(Fall):-.
Aristotle.Poetics. Trans. Richard Janko.Indianapolis, Indiana: Hackett Publishing Com-
pany,. Originally written aboutBC.
Aumont, Jacques.The Image.Trans. Claire Pajackowska. London: BFI Publishing,
[].
Baker, George.“Photography’s Expanded Field.”Still Moving: Between Cinema and Photo-
graphy. Eds. Karen Beckman and Jean Ma. Durham: Duke University Press,.
Barthes, Roland.“The Third Meaning. Research Notes on Some Eisenstein Stills.”Image,
Music, Text. Trans. Stephen Heath. New York: Hill and Wang,.
Barthes, Roland. Camera Lucida: Reflections on Photography. London: Fontana Paper-
backs,[].
Barthes, Roland. La Chambre claire. Notes sur la photographie.Œuvres complètes.
Livres, textes, entetiens.-. Paris: Seul,:-.
Bazin, André.“The Ontology of the Photographic Image.”What is Cinema?Vol.. Trans.
Hugh Gray. Berkeley, CA: UC Press,[].
Beckman, Karen and Jean Ma. Eds.Still Moving: Between Cinema and Photography. Dur-
ham: Duke University Press,
Bellour, Raymond.“Le spectateur pensif.”L’Entre-Images. Cinema, Photo, Cinéma, Vidéo.
Paris: Edition de la Différence,[]:-. English translation:“The Pensive
Spectator.”Wide Angle.,:-.