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don: Weidenfeld and Nicolson,.
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Odyssey.”Camera Obscura, Camera Lucida. Essays in Honor of Annette Michelson.Eds.
Richard Allen and Malcolm Turvey. Amsterdam: Amsterdam University Press,:
-.
Manning, Erin.“Coloring the Virtual.”Configurations., Fall:-.
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Mannoni, Laurent.The Great Art of Light and Shadow, Archeology of the Cinema. Exeter:
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Manovich, Lev.The Language of New Media.Cambridge, MA: MIT Press,.
Manovich, Lev.“Image Future.”Animation. London: Sage,.
Martin, Timothy.“Documentary Theater.”Sharon Lockhart: Teatro Amazonas. Rotterdam:
Museum Boijmans Van Beuningen,.
Massumi, Brian.“Strange Horizon.”Parables for the Virtual. Durham: Duke University
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Massumi, Brian.“The Thinking-Feeling of What Happens.”Inflexions., May:-
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Matuszewski, Boleslas.“A New Source of History”[“Une nouvelle source de l’histoire”,
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Metz, Christian.“On the Impression of Reality in the Cinema.”Film Language: A Semiotics
of the Cinema. Trans. M. Taylor. Chicago: University of Chicago Press,.
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Metz, Christian.Film Language. A Semiotics of the Cinema.Trans. M. Taylor. Chicago: The
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Metz, Christian.”Photography and Fetish.”The Critical Image. Essays on Contemporary
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Middleton, Richard.“Popular Music Analysis and Musicology: Bridging the Gap.”Read-
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Mitchell, W.J.T.The Reconfigured Eye. Visual Truth in the Post-Photographic Era. Cambridge:
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General Bibliography 231