The architecture of humanism; a study in the history of taste

(Ben Green) #1
228 THE ARCHITECTURE OF

HUMANISM

wit

h it will seem^o assist us

;

everything which

thwarts it

will appear impertinent and ugly.

We

shall^moreover,requiresomethingtocloseandsatisfy

themovement—a


window,forexample,oran
altar

;

andablankwall,whichwouldbeinoffensiveasthe

terminationVof a symmetrical space, becomes
ugly

at the end of an emphasised axis, simply because

movementwithoutmotiveandwithoutclimaxcontra-

,.diets

our^hysicalinstincts: itisnot
humanised^

Asymmetricalspace,ontheotherhand,duly

pro-

portionedtothebody


(fornotall
symmetricalspaces

willbebeautiful)

—^invitesnomovement


inanyone

direction

morethananother. Thisgivesusequipoise

and control
;

our

consciousness
returns constantly

to the centre, and again is drawn from the centre

equally

inalldirections. Butwepossessin

ourselves

aphysicalmemoryof justthe movement. Forwe

make

iteverytimewedrawbreath.

Spacesofsuch

a character,

therefore, obtain an
additional entry

tooursenseofbeautythroughthiselementarysensa-

tionof expansion. Unconsciousthough'the process

ofbreathinghabituallyis,itsvitalvalueisso
emphatic

that

anyrestrictionofthenormal
functionisaccom-

paniedbypain, and


^beyond acertain
point


^bya

peculiarhorror
;

andtheslightest
assistancetoit


as, for example, is noticed in high air


^by delight.

'-Theneedtoexpand,feltinall
ourbodilymovements,


andmostcruciallyinbreathing,isnotonly
profound
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