chaconne, 86;
Bach’s for violin solo, 87.
Chadwick,Canonic Studies, 36;
fugal passage inVagrom Ballad, 41, 329.
Chamisso, texts for Schumann’s songs, 170.
Chantavoine, Life of Beethoven, 159.
Charpentier,Impressions of Italy, 80.
Chausson, Ernest, account of style, 298.
Chavannes, Puvis de, compared with Franck, 258.
Chopin, type of melody, 10, 21;
Sonata in C minor, 67;
biography and features of style, 188-189;
analysis ofPrelude in C major, 198;
Étude in A-flat major, 199;
Mazurka in F-sharp minor, 199;
analysis ofPolonaise in E-flat minor, 200;
ofBarcarolle, 200-201;
ofScherzo in C-sharp minor, 201.
chromatic changes, 51.
Clapp, P.G., 48, 329.
coda, definition and examples of, 99.
color, in different keys, 51.
Combarieu, Jules, 2.
Converse, F.S., Dramatic Poem,Job(Phrygian mode), 26;
String Quartet, 99, 329.
Corelli, 70, 74.
CoriolanusOverture, analysis of, 152-156.
counterpoint, definition of, 11.