Weber,Moto Perpetuo, 83;
orchestral treatment in his Overtures, 164-165;
account of style, 169-172;
Invitation to the Dance, arrangement by Weingartner, 169;
compared with that by Berlioz, 171;
OberonOverture, analysis of, 170-171;
compositions for pianoforte, 171.
Weckerlin, example fromEchos du Temps Passé, 71.
Weingartner, eulogy of Berlioz, 206;
comments on the Symphonic Poem, 220;
comments on Brahms’sFirst Symphony, 244, 246.
Whistler, compared with Debussy, 293.
Whiting, Arthur,Scottish Melodies, 28;
Irish Melodies, 29;
Suite Moderne, 80;
Pedal Studies, 193, 194, 329.
Whitman, 1;
quotation fromMystic Trumpeter, 146.
Widor, canon for organ, 36.
Willaert, harmonic basis of choruses, 23.
Williams, Abdy, on Brahms’s rhythm, 253.
Williams, Vaughan, 329.
Wordsworth, quotation from, 163.
Wyman, Loraine, 33.