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automatic or unthinking reaction to events.
Commentary on reflexivity and the situated-
ness of knowledge is not new, though the
vocabulary of such commentary may have
changed. In 1963 English surrealist painter
Conroy Maddox (Levy, 2003) produced
‘The Theorist’ (see figure), an oil painting
suggesting a particular attitude of mind, the
figure almost sculptured into the armchair, at
one remove from the external world, whose
relationship to that world is suggested by the
scissors forming the face. Maddox offers a
picture of a situatedinstrumentalist, with
theory a device through which the world can
be accounted for, itemized, cut-up. Maddox’s
image of the theorist personifies an outlook on
the world that has been the target of those
concerned to emphasize reflexivity, and the
situatedness of knowledge. In keeping with
surrealism’s interest in the unconscious,
Maddox captures a certain image of a theoret-
ical unconscious, whereby one whose work is
defined bytheoryrisks their mind being col-
onized by indoorabstraction. Maddox might
have found it ironic that reflexivity can itself
on occasion be couched through abstract
theoretical language. dmat
Suggested reading
Rose (1997).
refugees The term ‘refugee’ is widely used
in popular culture, legal circles and humanitar-
ian emergencies. Broadly speaking, it means
people who have been involuntarily displaced
from theirhomesand dispossessed of their
livelihoods, normally without the protection of
their own government. The media often refer
to environmental refugees displaced from their
land by soil erosion over time, economic
refugees fleeing conditions of poverty in their
home countries, or even refugees as people
within the borders of their home country dis-
placed by natural disasters (e.g. Hurricane
Katrina in the American South in 2005).
In international humanitarian law, how-
ever, the term ‘refugee’ is more precise. It
refers to people from one country who flee
political persecution orviolenceto seekasy-
lumin another country. The political perse-
cution and exodus of the Protestant
Huguenots from France during the late seven-
teenth century is often described as the first
modern refugee movement. Since then, refu-
gee movements have been related topost-
colonialgeographies (e.g. thepartitionof
Pakistan from India in 1947),cold wargeo-
politics between rival superpowers and their
allies (e.g. Cubans in the USA), geo-economic
conflict related to land andresources, and
warsofnationalismand independence.
Since the mass displacement of people in
Europe during the Second World War, the
concept of ‘refugee’ has taken on particular
legal meanings. The 1945 United Nations
Charter outlines a framework for the provision
of political and legal protection to refugees,
displaced persons and other vulnerable
groups. In 1951, the Convention Relating
to the Status of Refugees was drafted; it came
into effect in 1954. Along with the 1967
Protocol, these legal instruments represent
the pillars of international refugee law. The
1951 Convention definition includes anyone
who ‘. .. as a result of events occurring before
1 January 1951 and owing to well-founded
fear of being persecuted for reasons ofrace,
religion, nationality, membership of a par-
ticular social group or political opinion, is out-
side the country of his [sic] nationality and is
unable or, owing to such fear, is unwilling to
avail himself of the protection of that country;
or who, not having a nationality and being
outside the country of his former habitual resi-
dence as a result of such events, is unable or,
owing to such fear, is unwilling to return to it.’
While 147 nations are party to either the
1951 Convention or its 1967 Protocol (see
below), it remains both explicitly and impli-
citly Eurocentric (seeeurocentrism). From
its conception, the Convention clearly demar-
cated geographical and historical limits. It
was designed to apply to refugeesineurope
displaced by events that occurredprior to 1951.
The Convention is characterized by its
Eurocentric focus and strategic conceptualiza-
tion. The Convention definition of refugee is
spatially coded as European. Substantively, its
Conroy Maddox, The Theorist, 1963, oil on board &
scissors, 2430 in., 6176 cm., Ferens Art
Gallery, Hull City Museums and Art Galleries
(Levy, 2003)
Gregory / The Dictionary of Human Geography 9781405132879_4_R-new Final Proof page 628 2.4.2009 9:12pm
REFUGEES