CHAPTER 20
Agents, Networking, and
Finding Work
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Writing a Sample Script
Before you can write for an animated television cartoon, you have to write a sample script
to submit to the story editor of that show. This is not a script that will be sold. Try surfing
online to find an actual animation script in the genre you’re writing so that you can use it
as a template. Write your sample script for a show that’s similar to the show you want to
pitch. Or if you want to write for a specific show, ask the story editor of that show what kind
of sample script he wants to see. Do not write a sample for the same show you want to pitch
because the story editor will know that show too well; and he’ll see only the script’s flaws.
You may be able to get work with only one sample script, but it’s better to have several: a
sample for a sitcom like The Simpsons,for a half-hour action/adventure, for a seven minute
squash and stretch comedy, and for any other animation genre that interests you. What’s
most important is that your sample script is fresh and exciting. This is not the time to break
the rules. The story editor wants to see if you knowthe rules. When your sample script is
ready, contact the story editor you want to pitch to and ask if you can submit a sample of
your writing. Be sure it’s your very best! Add a colorful script cover. You can submit a copy
of your sample script to an animation agent as well, but an agent is not a must to find work.
Looking for Work
Networking is very important in the animation industry. Because the industry is relatively
small and writers must do quality work quickly, many story editors hire only writers they
know. Join animation organizations like ASIFA and Women In Animation. Go to animation
events where you might meet animation writers and story editors. Go to seminars and work-
shops and introduce yourself to the writers and story editors there. The important thing is