PR.qxd

342 Index

183, 193, 195, 196, 203, 262,

264, 265, 268–271, 288, 290,

323, 324, 325, 331, 333

A and B 113–114, 118, 132, 265,

271, 280, 290, 323, 324

analyzing 117–118, 131–132

characters in 70–72

comedy 111, 114, 119, 183, 193

feature 276, 280–283

game 295, 296

history of developing 14, 153

ideas for 40, 41, 42, 43

preschool 197, 290

plot point 118, 175, 177, 197, 269,

295, 331

polish 114, 198, 263, 273, 276, 291,

331, 333

post-production 9, 87, 276, 278

premise 2, 84, 117–126, 264–265,

278, 316–317, 331, 333

check list 121

feature 264–265, 278, 334

length 118, 121, 331

planning 118–120, 192

storyline/notion 118–119, 192,

264–265

using to write an outline 129,

130, 131–132, 324, 330

writing 120, 121

preschool 21, 79, 81, 86, 111, 119,

176, 196, 197, 287, 289–291, 296

characters 81, 119, 289, 290, 291

curriculum 86, 289–290, 291, 331

dialogue 196, 197

games 292, 296

pitches 289, 290–291

preschooler’s development

47–48, 291

program development 81, 86, 87,

111, 119, 289–291, 331

segment length 290

prime-time animation 2, 17, 77, 78,

81, 111, 114, 195, 202, 287, 291,

320, 328, 332, 333

games based upon 293, 296

script format 111, 291

script length 291

producer 2, 9, 21, 24, 30, 85, 118,

120, 129, 154, 155, 165, 169,

171, 204, 263–264, 312, 316,

332, 333

production process 2–9, 10–11,

205, 263–264, 276, 278, 291,

323–336

changes 10–11

games 9, 10

history 14, 17, 153

stop motion 9

storyboards 153, 154, 155–156,

165, 169, 276

student 10

TV and feature 2–9, 10–11, 153,

154, 155–156, 165, 169,

263–264, 276, 278, 291

programming 45, 51, 56, 61, 78,

80–81, 82–84, 86, 87, 287–292,

301–302, 305, 319–321

executives 2, 3, 4, 9, 56, 82–84,

85, 120, 129, 134, 154, 155,

177, 201, 203, 262, 263–264,

289, 301–302, 305, 309, 311,

317

routines 301–302

time slots 19, 81, 291–292, 309

U.S. history 17–19

props 3–4, 41, 42–43, 85, 114, 133,

155, 156, 158, 163, 164, 165,

167, 203, 204, 310

design 3–4,

needed for gags 41, 119, 133,

167, 172, 182, 183, 188

puns 87, 182, 187

recording 2–3, 165, 169, 197, 202,

203, 204, 276, 291, 305, 306,

323, 325, 333, 335

resolution 111, 113, 121, 130, 132,

262, 270, 295, 332

rewriting 183, 203, 261–273, 276,

291

at storyboard stage 154, 155,

156, 167

cutting 154, 205, 262, 263, 271,

272

dialogue 197–198, 272

first rewrite 262, 291

games 295

outline 133–134

polish 198, 263, 272, 273, 276,

291, 331

premise 120–121

second rewrite 262, 291

sample script

average script from series 118,

130, 195, 201, 202, 203,

206–258, 316–317, 332

your sample script 117, 118, 133,

203, 315, 316, 317, 332

scene planning (job category) 7–8

scenes 71, 133, 134, 156, 165, 166,

167, 168, 171, 175–178, 182,

195, 196, 197, 203, 262, 271,

332, 333

cutting 177, 205, 262, 263, 271

format 202–203, 277, 291, 325,

326, 329, 332

in a feature 276, 277, 280–283,

334

in a game 295, 296

length 166, 167, 176, 177, 178,

204, 280

number of (in a half-hour script)

132

placement of 114, 177, 178, 262,

269

in an outline 129, 130,

131–132, 133, 324, 330

staging for budget 204, 272

script 111–115, 119, 163, 164,

175–178, 192–193, 195–198,

201–258, 261–263, 264–273,

323, 324, 325, 326, 328, 329,

331, 332, 333, 334

actor’s 2

cast list 202

development 3, 11, 61, 67, 70–72,

84, 87, 88

ending 111–115, 119, 121, 130,

131, 132, 133, 189, 202, 262,

270

feature 2, 3, 86, 111–115, 130,

153, 195, 202, 261–263,

264–273, 275–276, 277,

278–283, 334

first draft 203–205

format

feature 202, 275, 277, 329

TV 155, 202–203, 206–258,

273

game 295–296, 327, 333, 335

history 14, 16, 153, 276

independent shorts 86–87

in production 2, 3, 10–11,

153–155

length 1, 155, 201, 202, 203,

275–276, 291

acts 112, 130

middle 111–115, 131–132, 262,

269–270

opening 71, 111–115, 119,

131–132, 175, 176, 203, 262,

266, 268–269, 273, 283

prime-time 195, 202, 287, 291,

328, 332

Index.qxd 12/9/04 4:21 PM Page 342