Children's Portrait Photography Handbook

(Sean Pound) #1
CLOTHING 85

the children adapt an air of confidence when they are
dressed in “Mom’s favorite” clothes. There is something
beautiful and memorable about a crisply dressed child
with his or her hair combed neatly and dressed in their
finest clothes. It’s special for the parents and the chil-
dren—and it usually doesn’t happen very often. Keep in
mind, though, that very little children can sometimes get
lost in their clothes. Sometimes it is just as appealing to
show a little skin—arms, legs, and most definitely hands.


Upscale or Average.


Portrait photographers Brian and Judith Shindle believe
in the upscale prop. Several years ago, Brian purchased a
christening gown from Nieman Marcus for $1500. It is
the studio’s way of enhancing the timeless quality of the
child’s portrait and can enrich the portrait experience
from the client’s perspective, making the session more
gratifying. However, such elegance is not without risks.
Every time Brian takes the gown out of its special bag,
he hopes his little client won’t throw up all over it.


Consultation Meeting.


Clothing should be discussed and coordinated during a
pre-session meeting. All of the specific items for the shoot
should be coordinated with the clothing, so that props
like blankets and stuffed animals have colors that com-


C


lothing is really the best form of “prop” for a child’s portrait.


Fine clothing, like a christening gown, can define the moment.


Other clothes, like jeans and a cowboy shirt, can define personality.


A child’s best clothes are always handpicked lovingly by Mom—and


8. CLOTHING.


Coordinating clothing can make a very cohesive image, especially
in a mother-and daughter portrait. Note the similarity of outfits
right down to the beaded bracelets. Of course, it’s the priceless ex-
pression that really makes this portrait a success. Photograph by
Jim Fender.
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