Landscape Photography: From Snapshots to Great Shots

(WallPaper) #1

244 LAndscApe photogrAphy: From snApshots to greAt shots


seeing photos through, 38–39, 85
tilting/swivel, 18, 19
tips for using, 39
Le Gray, Gustave, 164
leading lines, 85
lens shades, 173
lenses
aperture of, 112–113
author’s use of, 24, 25–26
availability of, 15–16
cost considerations for, 16
depth of field for, 114–115
diffraction effects of, 116
focal lengths of, 15–16, 114–115
perspective changes and, 105–106
sensor size related to, 10
telephoto, 98–99, 105–106, 109, 110
wide-angle, 100–101, 105–106, 108–109, 110
zoom, 97, 106–107
Levels adjustment (Photoshop)
for blacks/whites, 221
for colors, 226
for midtones, 223–224
LIFE magazine, 33, 214
light, 43–71
assignments on, 41, 70–71
back, 57–58, 175
changes in, 151
color of, 61–67
directional, 54–60
dramatic, 48–51, 173–174
exposure and, 67–70
front, 58–59
gentle, 51–54
HDR images and, 200
photographing, 70
seasonal, 58, 59–60
seeing, 40, 48–54
separation, 172–173
side, 56–57, 174
special quality, 147
sunrise, 44–45, 50
sunset, 46–47, 50
top, 59–60
Lightroom, 138

Internet research, 155
ISO settings
assignment on testing, 27
depth of field and, 118
high ISO capability and, 16–18

J
Jackson, William Henry, viii, 164
Joshua tree photos, 46–47, 176, 228
JPEG images, black-and-white, 167

K
Kelso Dunes, Mojave National Preserve, 105
Kenai Fjords National Park, 170
Kloskowski, Matt, 231
“Kodachrome” (Simon), 67
Kolob Canyon, Utah, 2–3, 124

L
Lake Mead National Recreation Area, 91
Lake Superior, Minnesota, 55, 76, 104
landscape photography
black-and-white, 159–184
composition in, 73–95
connecting with landscapes in, 141–156
depth of field in, 111–120
digital darkroom work for, 207–236
early history of, 164–165
equipment used in, 1–27
HDR images of, 187–205
perspective in, 102–111
philosophies of gear for, 19
seeing the light in, 43–71
skies included in, 123–139
Lanting, Frans, 19
LaSalle Mountains, 78
late afternoon light, 62
layers and layer masks, 231
Layers: The Complete Guide to Photoshop’s
Most Powerful Feature (Kloskowski), 231
LCDs
assignment on using, 41
live view feature for, 18–19
reviewing images on, 39, 70
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