96 TIME February 28/March 7, 2022
taught and the issue is the curse
words and nudity in your book.
Do you take them at their word?
My guess is what they did is be-
cause the law of the land is based
on the 1982 decision that you can
ban things for their eff ect on young
minds and whatever, but you can’t
on the basis of content. So they focus
on how terrible it was to see what
they described as a nude woman,
and what I saw as the naked corpse
of my mother in the bathtub, having
slashed her wrists in that bathtub.
And then you curse out your father
for destroying her diary. Can’t
people object to bad language?
They were upset that I was breaking
the commandment to honor thy
father. That was usurping their
authority. They’re all parents. They
don’t want their kids talking to them
like that, thank you. They focused on
that because authority is what they
like the most. They’re authoritarians,
dammit.
Any chance you’ll agree, as the
board’s lawyer suggested, to white
out words like bitch? Maybe we
should just put in blintz or bagel.
Make for a more wholesome Jewish
cultural experience.
Your book is on best-seller lists
again. Isn’t that part nice? Maus
has been really selling steadily
since 1986, when the first volume
came out. Even more so after it won
the Pulitzer Prize. I didn’t need to
boost my income. It’ll give me more
money to donate to things like voter
registration.
Have you ever been to eastern
Tennessee? Never.
Would it help to meet these
people? Through bulletproof glass,
yeah. —KARL VICK
The school board of McMinn
County, Tennessee, voted on
Jan. 10 to stop assigning eighth-
graders to read Maus, your graphic
novel recounting the Holocaust
through your family history. Do
you take personal offense? Yes. But
I can’t tell how malevolent they are.
Are these people really idiots? Or
are they actually sinister forces that
have gathered to, like, kill America? I
can’t tell to what degree these people
carried water for more whacked-out
people, the ones who really stand
to profi t from getting more charter
schools in the area that teach reli-
gion, thereby taking money away
from a public education that needs
far, far more to do its job well.
Did you read the minutes of the
board meeting? Several times.
The book was removed from a
curriculum. Is that a ban? To use
authority to keep people from things,
yes, it’s a ban. And yet it’s not a book
burning.
Didn’t the burning of comic books
launch your career? The Comics
Code is what made me, yes. The
burning of comic books, literally—in
the ’40s and ’50s by teachers, clergy-
men, parents—focused on the same
thing these school-board people
focus on: we have to protect the chil-
dren, as opposed to educate them.
But those comic books that they
were burning were getting more far
out as they led into the more adult
audience. The horror comics, and
some of the very lurid images in
many of those comics, were among
the comics I love the most, because
they were kind of on the edge of the
forbidden. They were showing me
things to their most exaggerated.
These board members said the
Holocaust should certainly be
What do you
think is actually
going on here?
Art Spiegelman The cartoonist on a Tennessee
school board’s move against Maus, his memoir
of family and the Holocaust