Virtual Typography

(coco) #1

A)


4

Job:01212 Title: Basics typography (AVA)
1st Proof Page:135

001-184 01212.indd 135001-184 01212.indd 135 12/19/08 3:12:24 PM12/19/08 3:12:24 PM

If we understand virtual typography as information


that evolves gradually into typography instead of


relating the term to virtual environments from the


outset, then we may consider obscurity as one of its


inherent characteristics. Typography that cannot be


clearly categorised as such raises questions about


its linguistic nature. The media theorist Lev Manovich


describes the language of new media as a hybrid that


results from the fusion of diverse media within a digital


environment. Text and graphic images are used in


combination with photography and time-based imagery


to construct unprecedented kinds of visual aesthetics.


But aesthetics can only be understood in relation


to perception and we know rather little about the


innovative value of multimedia typography beyond the


process of production. As designers, we often assume


that if media content is generated in a different fashion,


and if it looks different, they will also be perceived in a


different manner. But what exactly causes the viewer’s


mode of perception to change? And in what way are


people’s senses being altered?


Wirefox – Alexander Tibus
This extraordinary font was part of Alexander Tibus’s degree
project. Tibus has worked as a freelance designer since he
graduated from the University of Applied Sciences in Berlin in


  1. Wirefox examines the relationship between text and texture.
    Usually, the closer you are to a piece of text, the more legible it
    appears. Astonishingly, Wirefox reverses this relationship. The
    greater the distance from which you are looking at the opposite
    page, the clearer the text will appear. Wirefox comes in two
    variations. Wirefox-Up uses an ascending line pattern, Wirefox-
    Down a pattern of falling diagonals. Tibus designed this font with
    great attention to detail. He corrected the length and width of
    strokes in some areas to even out the visual appearance of letters.


Chapter 6 134—135


The signifi cance of ambiguity


Job:01212 Title: Basics typography (AVA)
1st Proof Page:135

001-184 01212.indd 135001-184 01212.indd 135 12/19/08 3:15:29 PM12/19/08 3:15:29 PM
Free download pdf