sharon
(sharon)
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developmentofavant-gardefilm,atrendthatcontinuedforseveral
decades.Moholy-Nagy,ManRay,FrancisBruguière,PaulStrandand
CharlesSheeler,alongwithlaterfiguressuchasHelenLevitt,William
Klein,RobertFrankandEdvanderElsken,madesignificantcontribu-
tionsbothtophotographyandfilm.^5 Mostoftentheymademoving
equivalentsoftheirstillphotographicwork,producingmulti-layeredfilm
essays.Againstmainstreamcinema,avant-gardefilmevolvedacrossthe
middledecadesofthetwentiethcenturyasananti-narrativepoetics.
Itspreferencewasfortheexpressivemontageoffragments,resistingthe
presentationofseamlessstories.Photographyhasforeverstruggledwith
narrative,asweshallseeinthecomingchapters,butthispredisposedit
towardsanalliancewithavant-gardefilm.
WhileFilm und Fotomadeclearthisconnection,inotherrespects
theeventwasnotthegreatunifyingforcethatwasintended.Criticsand
historiansofcinemaseetheeventprimarilyasalandmarkshowcasefor
theadvancedfilmofthetime,whilehistoriansofphotographyseeFilm
und Fotoasadefiningmomentfortheirmedium.^6 Partoftheproblem
wasthecompletedifferenceinmodesofdisplayandattention.The
photographywashunginexhibitionspaces,whilethefilmswereshown
inaseparatecinema.Thisdidnotcohereasavisualexperience,even
thoughaudiencesofthe 1920 salreadymovedeasilyatanimaginative
levelbetweenthephotographicandthefilmic.Wemightcontrastthis
withtoday’ssituationinwhichexhibitionspaceshavebecomeacontext
forallthearts,includingfilm.Forexample,recentlyatTateModernin
London,Moholy-Nagy’shybridworkLight-Space Modulator( 1930 )could
beviewedinallitsformsinoneroom,asasculpture,asafilmandas
photographs.OnlineathomeIcanviewthephotosandplaythefilmon
thesamescreen.Evenso,conceptualizingtherelationshipbetweenphoto-
graphyandfilmremainscomplex.Shouldoneproceedonthegrounds
ofasharedtechnicalbase?Sharedaestheticconcerns?Sharedcultural
aims?Orarethedifferencesjustasdefining?
Anobviouswaytothinkabouttherelationistoweighupwhattheir
mechanismsdoanddonothaveincommon.Butstressingtheapparatuses
overtheirsocialusesortheiraestheticdimensionswillgiveusonlya
10 partialaccount.Inasmuchasphotographyandfilmdependuponthe