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In the poem’s last stanza, the speaker of the
poem subjugates himself completely to God, dis-
missing his own poetry as “wild and wandering
cries” and “confusions of a wasted youth.” Al-
though the poem shows a disciplined attempt to
make sense out of matters that go beyond human
capacity, the poet still asks God’s forgiveness, for
fear that any of the things said in the poem might
be wrong or might offend Him.
Mourning
Although death is mentioned frequently in
“Proem,” Tennyson does not mention the loss of
any specific person until the tenth stanza, in which
he asks God to “forgive my grief for one removed.”
Up to that point, death is discussed in terms of the
human condition, as a way to show the contrast be-
tween the fleeting nature of human life and God’s
eternal existence, in order to give a context to hu-
mankind’s limited knowledge. Death is referred to
in the second stanza as a tool which God made and
controls; in the fifth stanza it is mentioned to show
how insignificant human life is; and in the eighth
stanza there is a hint it is the fear of death that
causes humans to turn from God.
When the idea of mourning is added to the
poem, the discussion about God becomes more per-
sonalized. For most of the poem, Tennyson analyzes
the fact that God cannot be known, but can only be
experienced through blind faith. By noting his de-
parted friend, “I trust he lives with Thee,” Tennyson
creates a connection between God’s omnipotence
and the limited capacity of humans. The fear and
mocking of death explored earlier in the poem be-
comes irrelevant once Tennyson acknowledges
death leads somewhere, and the meaningless void
that follows death has meaning in this context. Al-
though it is only mentioned late in the poem, the
belief that Tennyson’s friend’s death is not mean-
ingless, that death has led his friend to God, gives
this poem a reason to tilt toward faith in God even
when evidence and knowledge of God is lacking.
Style
Iambic Tetrameter
“Proem” is written in quatrains, which are four-
line stanzas. It follows the rhyme scheme abba: the
word at the end of the first line of each stanza rhymes
with the word ending the last line, making the “a”
rhyme, and the two middle lines end with the “b”
rhyme. The lines follow an iambic tetrameter pat-
tern. Iambic is a pattern of one unstressed syllable
followed by a stressed syllable, as in “forgive” and
“embrace.” This pattern is obviously subject to vari-
ation, especially at the beginnings of stanzas: out-
side of the context of the poem, the natural tendency
for reading such phrases as “strong son” and “thine
are” would be to put the stress on the first syllable,
not the second. Tetrameter contains the Greek pre-
fix “tetra,” meaning “four”: there are four iambs in
each line. This metrical form is so strongly associ-
ated with Tennyson’s poem In Memoriam A. H. H.,
for which “Proem” is a preface, that it has been re-
ferred to as the In Memoriamstanza.
Monologue
In this poem, the speaker talks directly to God,
asking for God’s understanding and forgiveness and
taking every possible opportunity to praise God. It
Proem
Topics for
Further
Study
- In 1850, the year that “Proem” was published,
Tennyson became the poet laureate of England,
replacing William Wordsworth. Research and
report on how the differences in the two men’s
styles affected British literature. - Research the seven stages of grief that have been
outlined by Dr. Elisabeth Kübler-Ross and other
psychiatrists. See which parts of the poem can
be traced to each stage. - The poem refers to the night and day as “orbs
of light and shade.” Look up the ancient theory
that held that the sun and planets were held in
spheres that surrounded the Earth and create a
three-dimensional model to present this idea to
your class. - Near the end of the poem, Tennyson, one of
Britain’s most famous poets, asks God to for-
give his “wild and wandering cries.” Many of
today’s most popular musicians, by contrast,
tend to brag about their achievements. Write a
poem or essay that outlines your position on the
importance of humility.
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