The Boy
Marilyn Hacker’s poem “The Boy” first appeared
in the Breadloaf Anthology of Contemporary Amer-
ican Poetryin 1999 and is the opening poem in her
2000 collection, Squares and Courtyards. Written
in eight rhyming stanzas, the poem explores the
roles of gender, race, and writing in shaping iden-
tity. Hacker is known for her new formalist medi-
tations on history, womanhood, and the “stuff” of
everyday life. This poem addresses all three. As the
narrator imagines herself as a boy completing a
school assignment, the poet muses on the boy’s life,
his way of looking at the world, his relationship to
gender, and his own identity as a Jew. Part fantasy,
part character study, “The Boy” investigates the
fluidity of human identity, pokes at the boundaries
that separate one person’s life from another’s, and
interrogates the ways in which human beings are
called on to be one thing or another.
Hacker wrote the poem in response to a book
review by Robyn Selman in the Village Voiceof
poem collections by Rafael Campo and Rachel Wezt-
steon. In the review, Selman describes the position
of the young male poet as someone who sits at a win-
dow and looks out at the world and the position of
the young female poet as someone who examines the
room in which she sits—the room of the self.
Author Biography
Editor, translator, and teacher, Marilyn Hacker is
also one of the most sophisticated poets writing in
Marilyn Hacker
1999
13
67082 _PFS_V19boyxx 013 - 027 .qxd 9/16/2003 9:24 M Page 13