Reinventing Romantic Poetry : Russian Women Poets of the Mid-nineteenth Century

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Novikova, A. D. Baratynskaia, and the unidentified N. P. B-a ( 132 , 103 ,


134 , 540–41, 208 , 505 , 203 , 186 ). In addition, Pavlova dedicated Dvoinaia


zhizn’to young women who, like her heroine, experience the constraints


of women’s role in society:



u u
.
[.............]
! , "
,
 
,
 
   u
!

h
(Slaves of noise and vanity.
[.............]
All of you Psyches deprived of wings,
The mute sisters of my soul!)
( 231 )

She also wrote about the friends of her youth, Joan of Arc, and the poets


Lucretia Davidson and Delphine Gay (500–503, 80 , 124–27). However, far


more of Pavlova’s poetry is addressed to men—Adam Mickiewicz ( 90 ,


93 , 118 , 136 ), Evgenii Mil’keev ( 75 , 185 ), Evgenii Baratynsky ( 112 ), N. M.


Iazykov ( 119 , 133 ), I. S. Aksakov ( 131 , 136 ), Nikolai Pavlov ( 149 ), the


unidentified S. K. N. ( 137 ), Boris Utin ( 153 , 154 , 155 , 157 , 169 ), A.K. Tol-


stoi ( 221 , 223 )—or treats male historical figures. This is not surprising,


as the dominant voices in the literary establishment of Pavlova’s day as


well as its gatekeepers were male.


Gender and Genre


Like other women poets of her generation, Pavlova confronted genres


not designed to tell women’s stories. And like many of her women con-


temporaries, she ingeniously adapted and transmuted these forms.


Even her early ballads and narrative poems, influenced by German and


Russian Romanticism, modify gender stereotypes to make women sub-


jects, not objects. In “Doch’ zhida” (The Jew’s daughter, 82–83) Pavlova


reworks the romantic motif made famous by Byron’s Eastern Talesand


Pushkin’s Bakhchisaraiskii fontan( 1822 ), the “pure” woman forced into a


harem. Pavlova’s Jewish captive, however, unlike her predecessors, does


not passively allow herself to be raped or murdered. Rather, she plans


to kill the emir with a concealed knife, calling on the memory of her


mother to give her courage. Perhaps Pavlova was thinking of such Old


Testament heroines as Judith and Jael.^33 In “Starukha” (The old woman,


85–88) an old and ugly woman casts a spell on a young and beautiful


148 Karolina Pavlova

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