Gray, Thomas: “Elegy Written in a
Country Churchyard,” 74 , 75
Grech, Nikolai, 89
green world fantasy, 69
Grigorovich, Dmitrii, 139
Grossheinrich, Karl, 32
Guber, Eduard, 4 , 169 ; and Pushkin,
170. Works: “Ia po komnatu
khochu,” 49
gynocritics, 9
heroic verse epic. See geroicheskaia
epopeia
Homer, 39 , 71
Homeric question, 71
homosexuality, invention of, 118
Hugo, Victor: Préface de Cromwell, 59
Iazykov, Nikolai, 4 , 140 , 141. Works:
“Bessonitsa,” 50–51; “Poèt,”
234 n. 5
ideology, 242 n. 3 ; and genre, 58. See
alsogender ideology
imagination in Romanticism, 3 , 4
implied reader, 47 , 48 , 49 , 239 n. 31.
See alsolyrics, implied reader
inheritance and gender in Russia, 21 ,
227 n. 4
institutions, Russian, male, 30–37
instituty(government-run boarding
schools), 21 , 23
interpretive strategies, 9 , 13 , 14 , 18–
19 ; for noncanonical poets, 172 ;
for Rostopchina, 109–10
intertextuality in women’s poetry, 110
irony, 19 , 108 , 130 ; in Fedotov, 172 ; in
Khvoshchinskaia, 130 ; in
Pavlova, 19 , 157 ; in Rostopchina,
108 , 110 ; in Teplova, 19. See also
interpretive strategies
Jaenisch, Karl, 140 , 141
Joan of Arc, 66 ; literary depiction in
Dickinson, 274 n. 38 ; in Pavlova,
152–55; in Russia, 274 n. 38 ; in
Schiller, 151 ; in Shakespeare,
150–51; in Southey, 150–51,
276 n. 42 ; in Voltaire, 150 , 151 ,
275 n. 42Karamzin, Andrei, 92 , 96 , 100
Karamzin, Nikolai, 74 , 239 n. 29 ; and
Zhukovsky, 34
Kheraskov, Mikhail, 60–61, 62
Khomiakov, Aleksei, 4 , 168 , 169 , 170 ,
172 ; and Decembrists, 35 ; and
Elagina, 140 ; and Iazykov, 140 ;
and Zhukovsky, 34
Khvoshchinskaia, Iuliia Vikent’eva
(née Drobysheva-Rubets), 112–13
Khvoshchinskaia, Nadezhda, 4 , 5 , 6 ,
16 , 112–36; cosmology, 134 ; depic-
tions of nature, 52 ; descriptions of
her physical appearance, 116 ;
financial constraints, 113 , 114 ,
134–35; and gender norms, 112–
19 ; Gerbel’s editing, 130–31;
knowledge of Latin, 113 ; literary
debut, 120–21; literary reputation,
112 , 134–35, 137 ; literary social
capital, 143 ; marriage and career,
22 , 115 , 118 ; and Nekrasov, 135 ;
and punctuation, 124 ; on Pushkin,
226 n. 40 ; reception, 29 , 39 , 115 ,
120 , 135–36; and Revolutions of
1848 , 129 , 133 , 267 n. 36 ; self-
representation, 45 , 119 –20, 133 ,
266 n. 29 ; themes, 133 ; turn to
prose, 112 , 114 , 121 , 122 , 134–35;
Zotov’s editing, 129–30. Works:
“Blednaia deva: Videnie: Ballada,”
73 ; “Byvalo s setrami,” 124 , 125–
29 , 133 , 134 , 192–93; Derevenskii
sluchai, 68 ; “Druz’ia!,” 124 , 125–26,
133 , 188–89; Dzhulio, 18 , 134 ; “Ia
ne tebe otdam,” 124 , 133 ; “Klad-
bishche,” 11 , 132 , 133 , 134 ; “Net, ia
ne nazovu obmanom,” 117 ; “O
daite men pole,” 123 , 124 , 134 ;
“Solntse segodnia za tucheiu,” 47 ;
“Uzhasno skorbnykh dnei,” 124 ,
133 , 134 ; “Uzh vecher,” 133 , 134 ;
“Vy ulybaetes’,” 68 , 129–31, 133 ,
135 , 190–92. See alsoZotov300 Index