160
References
Alvarez, Javier (1989). Rhythm as motion discovered. In Contemporary
Music Review, Vol. 3 pp. 203-231. Harwood, London.
Balzano, Gerald J. (1986). What Are Musical Pitch and Timbre? In Music
Perception, Vol. 3, No. 3, pp. 297-314.
Bengtsson, Ingmar (1988). Musikanalys och den uttrycksbärande
rörelsen. In Nielsen & Vinther (eds., 1988), pp. 97-171.
Bisgaard, Lars (1974). Per Nørgårds 2. symfoni - en rejsebeskrivelse I-II.
In Dansk Musik Tidsskrift, 1974/75, pp. 28-31 & 57-61.
Blauert, Jens (1983). Spatial Hearing. The Psychophysics of Human Sound
Localization. MIT Press, Cambridge, Massachusets.
Bois, Mario (1967). Iannis Xenakis: the man and his music. A conversation
with the composer and a description of his works.
London: Boosey and Hawkes 1967. Reprint, Westport, U.S.: Greenwood
Press 1980.
Borum, Poul & Christensen, Erik (1977). Messiaen - en håndbog. Egtved,
Denmark
Bloom, Floyd E. & Lazerson, Arlyne (1988). Brain, Mind and Behavior.
Second edition. Freeman, New York.
Burde, Wolfgang (1993). György Ligeti. Eine Monographic Atlantis,
Zürich.
Carterette, Edward C. (1989). Perception and Physiology in the Hearing
of Computed Sound. In Nielzén & Olsson, pp. 83-99.
161
Castellengo, Michèle & Fabre, Benoît (1994). The Contemporary
Transverse Flute and the Shakuhachi: Convergences. An Acoustic
Analysis of Performance Techniques. In Contemporary Music Review, Vol 8,
Part 2, pp. 217-237.
Chion, Michel (1986). La dissolution de la notion de timbre. In Analyse
musicale - 2e trimestre 1986, pp. 7-8.
Chowning, John M. (1973. The Synthesis of Complex Audio Spectra by
Means of Frequency Modulation. In Journal of the Audio Engineering
Society, Vol. 21, pp. 526-534.
Chowning, John M. (1980). Computer Synthesis of the Singing Voice. In
Sound Generation in Winds, Strings, Computers (ed. Johan Sundberg).
Publication of the Royal Swedish Academy of Music no. 29, Stockholm,
pp. 4-13.
Christensen, Erik & Mynborg, Birte (1977). Miles Davis: Bags' Groove
take 1. In Musik & forskning, Vol. 3. Akademisk Forlag, Copenhagen, pp.
141-177.
Christensen, Erik (1980). Axel Borup-Jørgensen, Marin op. 60.
Introduktion til en analysemetodik [Introduction to a Method of
Analysis]. In Nordiska Musikdagar 1978. Kongressrapport. Kungliga
Musikaliska Akademiens Skriftserie nr. 27, Stockholm 1980, pp.
118-142. (Published in Swedish and German).
Christensen, Erik (1991a). Fire spor i den musikalske modernisme [Four
Tracks in Musical Modernism]. In Dansk Musik Tidsskrift, 1990/91 no. 7,
pp. 237-239.
Christensen, Erik (1991b). Klangens dimensioner [The dimensions of
sound]. In Dansk Musik Tidsskrift, 1991/92 no. 2, pp. 56-59.
Christensen, Erik & Nielsen, Mette Stig (1992). Ny musik er sanselig
energi og omverdensbevidsthed [Contemporary Music is Sensuous
Energy and Environmental Consciousness]. In Toner med variationer. De
sidste 60 års musikpædagogik, eds. Else Bjørnager & Ingrid Oberborbeck.
Århus Folkemusikskole, Denmark 1992, pp. 29-38.
Christensen, Erik (1992). Fuglene synger videre [The birds continue their
song].
Interview with Olivier Messiaen. In Dansk Musik Tidsskrift, 1992/93 no. 1,
pp. 16-19.