The Drawings of Michelangelo and His Followers in the Ashmolean Museum

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0521551331 c 01 -p 2 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 10 : 5

18 0 WHOLLY OR PARTIALLY AUTOGRAPH SHEETS CATALOGUES 32–33

186 2.). Black, 1875 ,p. 213 ,no. 11. Gotti, 1875 , II, p. 239.

Fisher,187 9, VI/ 6 (“Singing.”). Wolfflin, ̈ 18 91,p. 66

(Michelangelo: Similarities to [Cats. 33 , 31 ].). Berenson,

1903 ,no. 1553 (c.15 0 8; not inferior in quality to [Cats.

31 and 32 ].). Thode, 1908 ,I,p. 265 (Sistine period.).

Thode, 1913 ,no. 395 (Perhaps from same model as man

inIosiasgroup.). Popp, 1925 ,pp. 10 , 13 , 15 (Mini.). Panof-

sky, 1927 – 8 ,p. 229 (Mini, overworked by Michelan-

gelo.). Berenson, 1938 ,no. 1553 (Perhaps of Medici chapel

period.). Goldscheider, 1951 ,p. 179 ,fig. 201 (Battista

Franco.). Wilde, 1953 a,p. 79 (Michelangelo. May be

compared with humorous drawings on BM 42 verso of

c. 1525 – 8 .). Wilde, 1953 exh., no. 11 (c. 1525 .). Parker,

1956 ,no. 322 (Michelangelo.). Dussler, 1959 ,no. 600

(Rejected. Not Mini. Battista Franco possible. Reports

handwritten annotations, now lost and unrecorded else-

where, to Bandinelli by Wilde and to Franco by Parker.).

Berenson, 1961 ,no. 1553 (As 1903 / 1938 .). Goldscheider,

1965 , pl. Xc (As 1951 .). Hartt, 1971 ,no.15 6( 1517 – 18.

Study for the head of St. Damian, for the San Lorenzo

fac ̧ade.). Gere and Turner, 1975 ,no. 93 .DeTolnay, 1976 ,

Corpus II, no.31 0(Ironic self-portrait, shown in anger;

c. 1525 ,related to drawings for Perini.). De Tolnay, 1978 ,

Corpus III, pp. 211 – 14 (As 1976 ;reproduction of the

versobytransparency.). De Tolnay and Brizio, 1980 ,

no. 2 (As 1976 .). Lamarche-Vadel, 1981 ,p. 107 ,no.13 0

(For the head of St. Damian.). Paoletti, 1992 ,pp. 433 –

4 (“[I]ronic profile self-portrait.”). Whistler, 1992 ,no. 8

(c. 1525 ; “Anger is personified by this grotesque figure,

who shouts, beard quivering”; similarity to Shouting Man

in Leonardo’sBattle of Anghiari; similarities to a drawing

in the BM W 42 verso/Corpus 316 .Probably a teaching

drawing, pupil work discernable beneath Michelangelo’s

work. Fragmentary; drawing originally contained at least

two heads and possibly more.).

CATALOGUE 33

Recto: Three Men Disputing

Ve r so: Accounts

184 6. 72 ;R. 1 ;P.II 326 ;Corpus 9

Dimensions:37 7× 250 mm

Medium

Recto and verso: Pen and ink.

Condition

There are numerous toned edge infills and tear repairs,

other repaired fractures from ink burn-through, numer-

ous skinned areas, some abrasion, a scratch, and numerous

handling creases. The sheet has widespread discoloura-

tion, ink show-through, and bleeding as well as local

staining.

Accounts and Inscriptions

et? I. 15

17

44 22

(According to Frey perhaps by Michelangelo.)

lbr(libbre) 2 o ̃(nce) 12

Da raffaello mazz(?Mazzinghi)per il saione le ed...

echosteravj (?) overo

...aportatore per

E

t

(According to Frey not by Michelangelo; Dussler

suggests Mini.)

El tasecta dell

...elpanno de

(According to Frey perhaps by Michelangelo.)