The Drawings of Michelangelo and His Followers in the Ashmolean Museum

P 1 : KsF
0521551331 c 01 -p 2 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 10 : 5

CATALOGUE 42 WHOLLY OR PARTIALLY AUTOGRAPH SHEETS 215

of legs.”). Woodburn,184 2,no. 78 (“A very fine study

for one of the figures rising from the tomb – in the bot-

tom part of the Last Judgement.”). Robinson,187 0,no.

58 (For the lower part of theLast Judgement. The recto

“figure [is] drawn with consummate mastery.”). Black,

1875 ,p. 215 ,no. 53. Gotti, 1875 , II, p. 227. Beren-

son, 1903 ,I,p. 263 ; II, no. 1721 (After the fresco by

Cungi, a “hard and dry but clever draughtsman” respon-

sible for several drawings believed to be preparatory.).

Thode, 1908 , II, p. 13 (Authentic.). K. Frey, 1909 – 11 ,

no. 148 (Recto.); no. 149 (Verso: doubtful of authenticity

of this sheet; perhaps by a pupil overworked by Michelan-

gelo.). Thode, 1913 ,no. 435 (Authentic, for, not after, the

fresco.). Popp, 1922 ,pp. 144 – 5 (Recto: copy after theLast

Judgement.Verso: not after theLast Judgementbut after

a model for a River God for the New Sacristy.). Zoff,

1923 , pl. 55 (Verso.). Berenson, 1938 ,no.15 6 8A(For-

mer 1721 ; both sides good enough to be Michelangelo.).

Delacre, 1938 ,p. 113 (Attribution to Cungi incompre-

hensible.). Wilde, 1953 a,p. 103 (Michelangelo.). Wilde,

1953 exh., no. 70 (For figure in extreme bottom left cor-

ner ofLast Judgement.). Parker, 1956 ,no. 330 (Recto:

Michelangelo. “[P]lainly connected...with the figure on

the extreme lower left... of theLast Judgement.Verso:

divergent opinions; certain difference in style from recto.)

Dussler, 1959 ,no. 625 (Rejected. Both sides copies after

studies by Michelangelo.). De Tolnay, 1960 ,p. 191 ,

no. 187 (Recto: Michelangelo.); no. 186 (Verso: cites

Popp’s view that it was drawn after a River God model;

“difference in quality from the recto.”). Berenson, 1961 ,

no.15 6 8A (As 1938 .). Sutton, 1970 ,no. 13 (Recto: for

lower left ofLast Judgement.). Hartt, 1971 ,no.38 0(Recto:

1534 – 5 .); no. 381 (Verso: probably for one of foreshort-

ened figures of damned.). Gere and Turner, 1975 ,no. 135

(Recto.). De Tolnay, 1978 , Corpus III, no. 361 (Recto:

c.15 4 0.Verso: as 1960 .). Lamarche-Vadel, 1981 ,p. 136 ,

no.15 2( 1534 – 5 .). Perrig, 1999 ,p. 236 (By Giulio Clovio

after the fresco; from the Farnese Collection.).