P 1 :JZP
0521551335 apx 2 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 26
APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS 447- 1830 - 18 / 1838 - 38 / 1850 - 104 ?/Lawrence Gallery, 1853 ,pl.
15 /J. P. Heseltine/BM W 63.
1 28.Not identified.
1 29.Not identified.
1 30. 1830 -Not identified/ 1836 - 40 / 1838 - 21 / 1850 - 15 9/BM
W 61.
131.Perhaps 1830 - 118 / 1836 - 34 / 1838 - 15 / 1850 - 146 ,bought
Brondgeest, 50 guilders. Not further identified; un-
traced.
The relatively low price asked for this drawing in 1836
and realised in the sales of 1850 and186 0suggests it was not
autograph. If the identity of this drawing and 1850 - 146 is
accepted, it must have passed from Brondgeest to Woodburn
between 1850 and 1853.
1 32. 1830 - 19 / 1838 - 17 / 1850 - 102 /Lawrence Gallery, 1853 ,pl.
16 /Malcolm 58 /BM W 2.
133.i,ii,iii.Perhaps 1830 - 142 i,ii,iii. One of these copies
must be the drawing afterAdam and Abel,black chalk, 250 ×
403 mm, at Rugby School, Inv. R/S II 18 .The others are
not currently identifiable. - 1830 - 55 / 1836 - 74 / 1838 - 42 / 1850 - 107 /186 0- 134 /BM
W 57.
135.Not identified; untraced.
136.Reproduced by Ottley,Italian School,j.p. 32 / 1814 -
262 , bought by Roscoe/ 1830 - 52 / 1836 - 63 / 1838 - 34 / 1850 -
15 4 (the subject misidentified as the Virgin and Child)/
Vaughan/BM W 29 .See 1814 - 262 and 1850 - 15 4 further
details. - 1830 -Not identified/not exhibited in 1836 /part of
August 1838 purchase of William II?/ 1850 - 153 /J. C. Robin-
son/Cambridge, Massachusetts, Fogg Museum of Art, Inv.
1955 - 75 .See 1850 - 153 for further details.
1 38.Moselli Collection Verona before that of Pierre Crozat/
1830 - 117 / 1836 - 59 / 1838 - 30 / 1850 - 124 /Lawrence Gallery, 1853 ,
pl. 24 /Emile Galichon, his sale, May 1875 ,lot 15 /Malcolm
79 /BM W 55
1 39. 1830 - 116 / 1836 - 42 / 1838 - 22 / 1850 - 15 7?/Lawrence Gallery,
1853 ,pl. 18 /Vaughan/BM W 6.
1 40. 1814 - 1769 ;the nature of the inscription on this draw-
ing suggests that it came from the Cicciaporci-Cavaceppi
group. / 1830 - 111 / 1836 - 48 (the provenance given solely as
Ottley)/ 1838 - 25 / 1850 - 168 /Vaughan/ BMW 91.
141.Perhaps identical with a fine copy of Michelangelo’s
Dawnthat appeared in a sale at Christie’s, New York, 30
January 1997 ,lot 16 ,black chalk, 197 × 296 mm. However,
no Lawrence dry stamp is recorded on that sheet.
1 42. 1830 - Not identified/ 1836 - 35 / 1838 - 16 /? 1850 - 120 bought
byBrondgeest 225 guilders/Vaughan?/BM W 102 .See 1850 -
120 for further details.
1 43. 1830 - 114 / 1836 - 75 / 1838 - 43 / 1850 - 111 /J. C. Robinson/
Malcolm 55 /BM W 87.- 1830 - 83 / 1836 - 18 / 1838 - 5 / 1850 - 163 /Lawrence Gallery,
pl. 27 /Untraced.
1 45. 1830 - 7 / 1838 - 1 / 1850 - 155 ?/ Malcolm 61 /BM W 1 .See
1850 - 155 for further details.
1 46. 1830 - 63 / 1836 - 37 / 1838 - 18 / 1850 - 162 /186 0- 146 /Mal-
colm 60 /BMW 13. - 1830 - 10 / 1836 - 12 / 1838 - 2 / 1850 - 143 ?/Lawrence Gallery,
1853 ,pl. 21 /186 0- 147 /Vaughan/BM W 10.
1 48.Not identified. - 1814 - 260 i,ii/Phillipps-Fenwick/BM W 38 and W 84.
Presumably these two drawings were regarded by Wood-
burnas scraps and so were not offered to Oxford. There is
no indication of what other drawings might have been in
this lot of twelve items
1 50.Not identified.
151.Not identified.
1 52.Not exhibited in 1836 /part of August 1838 pur-
chase?/ 1850 - 108 bought by Enthoven, 200 guilders/186 0-
15 2/Chantilly, Musee Cond ́ e; Lanfranc de Panthou, ́ 1995 ,
no. 39.
153.Among these may have been 1830 - 139 ii. Subsequently
Brussels, Wauters Collection (Lees, 1917 ,pp. 24 - 5 ,Fig. 32
as Michelangelo; red chalk, 265 × 188 mm)/Sold Christie’s
London, 8 April, 1986 ,lot 23 /Seen by the compiler in a
French private collection c. 1992 ,bearing the Lawrence dry
stamp.
The three drawings carried by this page – studies of a head,
aleft foot, and a left arm – are inspired by the Cross-bearing
figure in theLast Judgement,but they do not copy them
exactly. The page does not seem to the compiler plausible
as a copy of a lost page by Michelangelo, and it is probably
asuite of variants upon this figure by an artist working in
Rome c.155 0.Itmight be by Passerotti.
1 54.TheSamson and Delilahmay be Phillipps-Fenwick
(Popham, 1935 b, p. 65 ,no. 3 )/BM W 90 ;however,Wilde
identifies this as part of lot186 0- 1084.
155.Not identified.
1 56.Not identified.
157.Not identified.
1 58.Not identified.
1 59. 1830 - 46 ?. See 1830 - 46 for further details. - 1830 - 3 (with account of previous history)/ 1836 - 30 /
part of August 1838 purchase/ 1850 - 212 /186 0- 160 /Malcolm
81 /BM W 75.