P 1 : JZP
0521551335 ind 1 CUNY 160 /Joannides 052155 133 1 January 14 , 2007 17 : 46
INDEX 1 481GENEVA
The Bodner Library (Formerly)
Christ and the Samaritan Woman 32HAARLEM
Te yler Museum
A∗ 11 /VT 78 :Two Standing Draped Figures
(copy of Cat. 24 versobyanunidentified
sixteenth-century draughtsman) 24
A 13 /VT 76 :Three Female Heads(after Uffizi
599 E/B 186 /Corpus 308 byan unidentified
sixteenth-century draughtsman) 67
A 17 recto/VT 52 /Corpus13 0:AWoman
Bending Forward in Left Profile 43
A 18 recto/VT 46 /Corpus 51 :Running Figure
for theBattle of Cascina 29 , 31 , 43 , 51
A 19 recto/VT 47 /Corpus 50 :A Man Helping
Another to Don His Armour, for theBattle of
Cascina 29 , 51
A 20 recto and verso/VT 48 /Corpus 135 :
Figure Studies for the Sistine Ceiling
A 22 /VT 45 /Corpus 10 :Figure
Studies 24, 33
A 23 recto/VT 64 /Corpus 357 :Figure Study for
theLast Judgement 43
A 24 /VT 63 /Corpus 238 :A Man Abducting a
Woman 30
A 25 recto/VT 60 /Corpus 89 :The Deposition
48, 74, 112
A 27 recto and verso/VT 49 /Corpus 136 :
Figure Studies for the Sistine Ceiling 36
A 28 verso/VT 31 /Corpus 108 :Fighting Men
and Men Being Tormented 36 ,6, 75
A 29 recto/VT 67 /Corpus 596 :A Profile of the
Dome of St. Peter’s 46 ,52, 54
A 29 verso/VT 67 /Corpus 596 :Standing
Figures, Perhaps Apostles 52
A 30 recto/VT 56 /Corpus 216 :Studies for the
Back and Left Arm ofDay 48 , 26
A 31 /VT 61 /Corpus 341 :Study for theFall of
Phaeton 37
A 33 arecto/VT 58 /Corpus 218 :Studies for the
Left Leg ofDay 26, 27, 76
A 33 brecto/VT 58 /Corpus 219 :Studies for the
Left Leg ofDay 26, 27
A 34 /VT 60 /Corpus 109 :The Deposition 3
A 35 verso/VT 65 /Corpus 434 :The
Lamentation(fragmentary) 40, 49, 51
A 36 recto/VT 57 /Corpus 215 :Studies for the
Back and Left Arm ofDay 48 , 26
A 39 /VT 53 /Corpus 111 :Anatomical
Studies 47
N 1 ∗-N 68 ∗/VT 71 :Sixty-Eight Figures from the
Sistine Ceiling(indirect copies after
Michelangelo by a draughtsman in the circle
of Adamo Scultori) 43 , 86HAMBURG
Kunsthalle
Inv. 21094 /Corpus 35 :Profile of a Man
Wearing a Helmet, Facial Features, and Other
Sketches 12 , 21 , 33 , 50HOLKHAM, NORFOLK, UK
Holkham Hall
Copy of theBattle of Cascina (painting by
Aristotile da Sangallo after Michelangelo) 7
LILLE
Mus ́ee des Beaux-Arts
Cabinet des dessins
Brejon de Lavergnee, ́ 103 recto/Corpus 595 :
Profile for the Dome of St. Peter’s 9 ,54, 55
Brejon de Lavergnee ́ 717 – 808 :Sketchbook
(by Raffaello da Montelupo containing a
number of copies after drawings by
Michelangelo) 9 ,34, 66
Brejon de Lavergnee, ́ 808 fol. 91 recto:
Hercules and Antaeus(after a lost drawing
byMichelangelo by Raffaello da Montelupo)
30, 34
Brejon de Lavergnee ́ 832 recto:Copy After the
Puttiin the Left-Hand Throne Arm ofLibica
(drawing by Andrea del Sarto) 17
Brejon de Lavergnee ́ 1098 :An Old Woman?
(copy of Cat. 23 byan unidentified
sixteenth-century draughtsman, perhaps
Battista Franco) 23LIVERPOOL
Walker Art Gallery
Paintings
Inv. 2789 :Christ and the Woman of Samaria
(the lay-in for a painting after a lost drawing
byMichelangelo by an unidentified
sixteenth-century artist) 21Drawings
WAG 1995. 2 o 4 /Brooke, 1998 ,p. 184 :The
Asa-Iosaphat-IoramLunette(after
Michelangelo by an unidentified
sixteenth-century draughtsman) 89
WAG 1995. 249 /Brooke, 1998 ,no. 28 :A
Figure in a Resurrection? (in part after a lost
drawing by Michelangelo, by Battista Franco,
perhaps indirect after a copy by Raffaello da
Montelupo) 47
WAG 1993. 307 /Brooke, 1998 ,p. 184 :Christ
on the Cross with the Virgin and Saint John
(after the expanded version prepared by
Michelangelo to be painted by Marcello
Ve nusti for Urbino, by a sixteenth-century
draughtsman, conceivably Marcello
Ve nusti) 67LOCKINGE
Loyd Collection, no. 105 a:Christ on the Cross
(after British Museum W 67 /Corpus 411 ,by
an unidentified sixteenth-century
draughtsman) 67LONDON
British Library
Department of Manuscripts
Add. Ms 21907 ,fol. 1 recto/Corpus 217 :
Study for the Left Leg ofDay 12 , 26Add. Ms 21907 ,fol. 1 verso/Corpus 217 :A
Figure Blowing a Trumpet 12 , 39British Museum
Department of Prints and Drawings
Ff. 1 – 4 :An Old Woman? and Other Sketches
(Copy of Cat. 23 byan unidentified
sixteenth-century draughtsman, not far from
Battista Franco) 23
Ff. 1 – 5 recto/W 89 :“Prudentia”? (copy of a
lost drawing by Michelangelo by Raffaello da
Montelupo) 66, 81
Ff. 1 – 7 /W 93 :Christ on the Cross(After
British Museum W 67 /Corpus 411 ,by
Bartolommeo Aretino?) 67
1856 - 5 - 10 - 1173 /W 80 /Corpus34 7:A Right
Arm, Crooked, Seen from the Front, probably for
theLast Judgement 41
1859 - 5 - 14 - 818 recto/W 31 /Corpus 240 :
Studies for a Madonna 48 , 28
1859 - 5 - 14 - 822 recto/W 26 /Corpus18 0:
Study for a Double Tomb 37
1859 - 5 - 14 - 822 verso/W 26 /Corpus18 0:
Studies for a Double and a Single Tomb 37
1859 - 5 - 14 - 823 recto/W 27 /Corpus 185 :
Study for a Ducal Tomb 31 , 36 ,25, 57
1859 - 5 - 14 - 824 recto/W 23 /Corpus 57 :
Diagram of the Lower Storey of the Julius Tomb
and Block Sketches 47
1859 - 5 - 14 - 825 :A Nude Man Holding a Jug
(attributed to Piero d’Argenta) 58
1859 - 6 - 25 - 543 /W 28 /Corpus18 9:Studies for
a Double Tomb 36 ,25, 39, 64
1859 - 6 - 25 - 544 /recto/W 35 /Corpus 227 :
Outline Study for a River God for the New
Sacristy 43
1859 - 6 - 25 - 544 verso/W 35 /Corpus 227 :Note
of Rumour of Death of Franc ̧ois Ier 36
1859 - 6 - 25 - 545 recto/W 25 /Corpus 184 :
Sketches for a Free-Standing Tomb for the New
Sacristy 38
1859 - 6 - 25 - 545 verso/W 25 /Corpus 184 :
Fragment of the Template of a Column for the
Wooden Model for the Fac ̧ade of San Lorenzo 54
1859 - 6 - 25 - 546 /W 24 /Corpus 521 :Design for
an Ambo 19
1859 - 6 - 25 - 55 0recto/W 37 /Corpus 554 :Study
for the Exterior Door to the Laurentian Library
Reading-Room 37 , 47
1859 - 6 - 25 - 55 0verso/W 37 /Corpus 554 :
Sketches of Doors for the Laurentian
Library 37 , 47 , 56
1859 - 6 - 25 - 551 /W 51 /Corpus 252 bis:Three
Figures in Violent Motion 37
1859 - 6 - 25 - 554 /W 30 /Corpus 198 :Sketches of
Figures and a Vase 47
1859 - 6 - 25 - 555 /W 12 /Corpus 162 :Tw o
Crucified Men 40
1859 - 6 - 25 - 557 recto/W 33 /Corpus 236 :
Hercules and Antaeus; Teaching Drawings and
Other Sketches 38 ,33, 45