P 1 : JZP
0521551335 int 1 b CUNY 160 /Joannides 052155 133 1 January 11 , 2007 9 : 36
THE DISPERSAL AND FORMATION OF SIR THOMAS LAWRENCE’S COLLECTION OF DRAWINGS 39b. After theRisen Christ,CB 66 Frecto/B 136 /Corpus 262.
c. Aface looking down, after CB 47 F/B 22 /Corpus 124 (pen).
d.Aface looking down, after CB 47 F/B 22 /Corpus 124 (pen).
(a, c, and d identified in an annotation on the mount; it may be,
however, that c and d are based on a similar original, now lost.)
6 .∗18608F, 215 × 145 mm
Recto, pen and ink
a. The turning figure from theBed of Polycleitus,CB 53 recto/B 174 /
Corpus 229 bis.
b. A skull in left profile, after Cat. 30 verso/Corpus 237.
c.Hercules and Antaeus,adapted from CB 53 recto/B 174 /Corpus
229 bis.
d.A figure showing his bottom, after Cat. 30 verso/Corpus 237.
Ve rso, pen and ink over red chalk
a. Aprofile after Uffizi187 24verso/B 237 /Corpus 317 (red chalk).
Source identified in a note on the mount.
b. A seated child, after one at the far right of theInfant Baccha-
nal, more probably after the engraving by Beatrizet (The Illustrated
Bartsch, 29 ,p. 297 ,no. 40 ) than Michelangelo’s drawing at Windsor,
PW 431 /Corpus 338.
7 .∗18609F, 213 × 293 mm, pen and ink, pen and ink over black
chalk, black chalk
Recto
a. Abrooding figure, after AB, XII, fol. 46 /B36 0probably by
Antonio Mini of c.15 2 8.
b. Profile of an old woman, after Cat. 30 recto/Corpus 237.
c. A man on horseback, after Cat. 30 recto/Corpus 237.
d.A left hand, after CB 37 Averso/B 83 /Corpus 226.
Ve r s o
a.Hercules and Antaeus, after Cat. 30 recto/Corpus 237 , upper study.
b. A hand; source unidentified.
c.Hercules and Antaeus, after Cat. 30 recto/Corpus 237 ,lower
study.
8 .∗18610F, 214 × 293 mm
Recto, pen and black chalk
a. A left foot seen from the left; source unidentified.
b. A figure with arms and legs bent back over a board, after the
small sketch on CB 42 Arecto/B 78 /Corpus 541.
c.Christ in Limbo, modified after CB 35 F/B 135 /Corpus 90.
d.A head after CB 1 F/B 8 /Corpus15 8.
e. A male figure blowing a trumpet, perhaps after a variant of a fig-
ure known in a small sketch, probably after rather than by Michelan-
gelo, in the British Library (BL) Department of Manuscripts, Add.
Ms. 21907 , fol. 1 recto (not in W)/Corpus 217.
Ve r s o
a. A figure seen from the left, left arm outstretched behind, head
turned left over shoulder, in pen; source unidentified.
b. Afigure loosely based on theDavid,probably made after a draw-
ing by Antonio Mini offered at Bonham’s, London, 8 July 2002 ,
lot 69 ; pen and ink over red chalk, 208 × 172 mm.
9 .∗18611F, 214 × 293 mm, black chalk and pen
Recto
a. A turning figure seen from the front, after Cat. 73 recto, by
Antonio Mini.
b. Nude figure with a raised arm; source unidentified.
c. A kneeling male figure blowing a trumpet (see 18610 F, verso (e)).
d.A left hand, after CB 37 Averso/B 83 /Corpus 226.
e. A putto, after the third from left inInfant Bacchanal, more likely
from the engraving by Beatrizet (The Illustrated Bartsch 29 ,p. 297 ,no. 40 ) than Michelangelo’s drawing at Windsor, PW 431 /Corpus
338.
Ve rso, pen and ink and black chalk
a. Ahawk perched on a wrist; source unidentified.
b. A fleeing figure; source unidentified.
c. A left hand, perhaps modified after BM W 7 recto/Corpus 119
( 1859 purchase).
d.>A view ofDayfrom the rear, same size after Cat. 73 recto, by
Antonio Mini.
10 .18614F, 153 × 162 mm, pen and ink
After the SettignanoTr iton, Corpus 11
11 .∗18619F, 294 × 434 mm, pen and ink with wash
Recto (Papi, 1994 ,D 4 , fig. 49 , with some sources identified)
Left side
a. A head and shoulder in outline; source unidentified.
b. A left hand resting on a ledge?; source unidentified.
c.Leda, after Uffizi 18737 Frecto/B 3 /Corpus 44 (identified by
Ferri-Jacobsen 1905 ,p. 28 ).
d.A left hand resting on a ledge?; source unidentified.
e. A left hand resting on a ledge?; source unidentified.
f. The right leg of the Child, after CB 23 F/B 9 /Corpus 29.
g.The gesturing figure at table in theHamanpendentive (more
likely after a copy from the fresco than a lost original study
for it).
h.The legs of the Child, after CB 23 F/B 9 /Corpus 29.
i. A standing Apostle?, after BM W 74 /Corpus 403
Right side
j. A left hand; source unidentified.
k.A sprawling man, after Uffizi187 21Frecto/B 175 /Corpus 149
(probably by Mini after a lost sketch by Michelangelo).
l. The right hand of Ahasuerus from theHamanpendentive (as g).
m.A figure reeling back, after Uffizi187 21recto/B 175 /Corpus
149 (as k).
n.Aright hand holding a baton?; source unidentified.
o.A head; source unidentified.
p. An antique cornice, after CB 2 Arecto/B 24 /Corpus 517.
q.A? hand; source unidentified.
Ve rso, black chalk, pen, and pen and wash (Papi, 1989 , fig. 10 b;
1994 ,D 4 , fig. 50 , with some sources identified).
Left side
a. St. Sebastian; source unidentified.
b. Anignudo, after CB 75 F/B 15 /Corpus 145 ,lower centre.
c. Anignudo, after CB 75 F/B 15 /Corpus 145 , centre.
d.A head turned up in left profile; source unidentified.
e. Anignudo, after CB 75 F/B 15 /Corpus 145 ,lower left.
Right side
f. Araised left hand, after the study for Adam, CB 64 F/B 238 /
Corpus 132.
g.A head turned up to right, developed from i.
h.A head turned up to right, developed from i.
i. A figure bending in a complex pose, after BM W 8 verso/Corpus
135 ( 1859 purchase).
j. Aright hand holding a strap; source unidentified.
k.A raised right hand after the study for Adam, CB 64 F/B 238 /
Corpus 132.
l. Aface looking down, after CB 47 F/B 22 /Corpus 124.
m.A mouth, above which is a tiny dragon, after Hamburg 21094
recto/Corpus 35. (This drawing bears the mark of Sir Peter Lely;
it, therefore, must have left Casa Buonarroti before Lely’s death in
1680 .Inprinciple, it might have been in another collection when