The Structural Conservation of Panel Paintings

(Amelia) #1
1934, MacIntyre published test results to show that RH in a poorly sealed
display case is still more stable than the RH in the surrounding room. He
further demonstrated that the hygroscopic panel, frame, and fabric lining
of the case would improve this stability so that even with a 1 mm gap
around the glass base, a fairly constant RH could be maintained during the
week of monitoring (MacIntyre 1934). The results were applied to an air-
conditioning system for Mantegna’s cartoons at Hampton Court Palace.
In 1934 Constable proposed an alternative to buffers. The idea was
to feed conditioned air into the frame (or case) by means of pipes; how-
ev er, this was dismissed at the time on the presumptions of bulk and
inconvenience (Constable 1934). The idea was nevertheless put into prac-
tice approximately fifty years later (Lafontaine and Michalski 1984).^13
In 1936 Curister enclosed a panel painting attributed to Hugo van
der Goes. Salts were kept in trays within the base of the double-glazed
standing vitrine, which was capable of keeping a stable RH indefinitely,
provided the exchange rate with the exterior was not too great.^14 Small
glazed openings were made at the top of the cases, through which
enclosed hygrometers could be monitored. Before the construction and
assembly of the microclimate box, the wood used in the construction of
the cases and frames was carefully seasoned and conditioned in an atmos-
phere of the agreed moisture content. During the most difficult climato-
logical months, the sealed cases showed a stable internal RH of 55%.
More than twenty-five years would pass before a new description
ofa microclimate box for a panel painting appeared (Sack 1963–64). Sack
describes how a controlled environment was made for a panel painting
and kept stable during a low winter RH of 12–28%. A large sealed wooden
case with a double glass door was constructed that held pans containing a
saturated solution of magnesium nitrate hexahydrate. A small fan distrib-
uted the conditioned air to all areas within the case. In this manner, the
RH was held stable between 50% and 52%.
Shortly after, Stolow published his aforementioned studies of the
humidity and thermal properties of a sealed case (Stolow 1967).^15
Ifthe elements (case and painting) are in equilibrium with the
environmental RH and temperature when the case is sealed and then
subsequently placed in another environment, a new equilibrium will

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Figure 2a–c
Three main principles behind the construction
ofa microclimate box: (a) a box containing a
panel painting and buffer material; (b) a box
containing only a panel painting; and (c) a box
containing a panel painting and an altered
gaseous content.


a bc
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