Acknowledgements
Firstly, my immense gratitude to both editors of the series, Martin
Halliwell and Andy Mousley, for their original interest and subse-
quent support for this project. Their patience, alert editorial eye
and encouragement were appreciated throughout. I would also like
to thank the work of Jackie Jones and staff at Edinburgh University
Press.
Thanks go to colleagues at the School of English, Drama and
Film at University College Dublin. In particular I would like to
acknowledge my lively conversations with Michelle O’Connell,
Porscha Fermanis and Ron Callan – and the support of Maria
Stuart and Mary Clayton. I am also grateful to Nick Daly for
encouraging research life in the department in such a produc-
tive way. Pauline Slattery’s wonderfully effi cient management
of undergraduate academic life in the school (with the help
of Marguerite Duggan and Anne Cleary) made this process
less painful. The experience of teaching the MA in American
Literature and a course on ‘Poetry and Poetics’ at UCD has
informed this project greatly. To those lively and inspiring stu-
dents who offered interpretations that opened up the poems again
(particularly Jean Hogan, Ciaran Lawless, David McCarthy and
Tobias Ryan) – my thanks!
Much of the initial writing took place in the lofty space of the
Irish National Library, and I would like to thank the staff at this
precious establishment. Bob and Becky Tracey very generously
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