Contemporary Poetry

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56 contemporary poetry



  1. Maurice Merleau-Ponty, The Phenomenology of Perception,
    trans. Colin Smith (London: Routledge, 1999 ).

  2. John Ashbery, cited in Richard Gray, American Poetry of the
    20 th Century (Harlow: Longman, 1990 ), p. 324.

  3. John Ashbery, Selected Poems (London: Penguin, 1986 ). All
    subsequent references to this edition are given in the text.

  4. Ashbery, cited in Gardner, Regions of Unlikeness, p. 74.

  5. John Shoptaw, On the Outside Looking Out: John Ashbery’s
    Poetry (Cambridge, MA: Harvard University Press, 1994 ),
    p. 135.

  6. John Ashbery, ‘The Invisible Avant-Garde’, in T. B. Hess and
    John Ashbery (eds), The Avant-Garde (New York: Macmillan,
    1968 ), p. 149.

  7. Sujata Bhatt, The Stinking Rose (Manchester: Carcanet, 1995 );
    A Colour for Solitude (Manchester: Carcanet, 2002 ). All subse-
    quent references to this edition are given in the text.

  8. Sujata Bhatt, ‘Interview with Vicki Bertram’. Available online
    at http://www.carcanet.co.uk/cgi-bin/scribe?showdoc= 4 ;doctype=i
    nterview.

  9. Bhatt, ‘Interview with Vicki Bertram’.

  10. Jorie Graham, Erosion (New York: Ecco Press, 1983 ).

  11. Jorie Graham, The End of Beauty (New York: Ecco, 1987 ).
    All subsequent references to this edition are given in the
    text.

  12. Jorie Graham, ‘Some Notes on Silence’, in Philip Dow (ed.), 19
    New American Poets of the Golden Gate (New York: Harcourt,
    1984 ), pp. 409 – 10.

  13. Michael Palmer, cover note for Norma Cole, Moira (Berkeley:
    O Books, 1995 ).

  14. Michael Palmer, ‘From the Notebooks’, 19 New American
    Poets of the Golden Gate, p. 343.

  15. Michael Palmer, ‘Interview’, in Gardner, Regions of Unlikeness,
    p. 239.

  16. Michael Palmer, ‘Autobiography and Mechanisms of
    Concealment’, in Bob Perelman (ed.), Writing Talks
    (Carbondale: Southern Illinois University Press, 1985 ), pp.
    207 – 29 (p. 227 ).

  17. Michael Palmer, Sun (San Francisco: North Point, 1988 ), pp.

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