The violin’s range is G3 to B7 (Figure 14-18).
Cello .....................................................................................................
The cello, also called the violincello, is the biggest and lowest-sounding
member of the violin family. It’s much too big and heavy to rest on the shoul-
der, so it’s held between the performer’s knees instead. (You never see a
homeless person with a cello — which could mean either that cellists are
some of the best-paid musicians out there, or that it’s just not worth lugging
the thing out into the rain for a few bucks a day.)
The cello can cover the entire range of the human voice, and consequently, a
lot of “speaking” solo parts are written for it, in which the cello seems to be
delivering the lyrical part of a song instead of an actual singer. As the bass
voice in the string quartet, the cello is a grounding force in what might other-
wise be a tinny and high-pitched ensemble.
The cello’s range is C2 to E6 (Figure 14-19).
Where they all are on the piano .......................................................
Given that there’s a good chance that you’ll be composing your orchestral
music on the piano, in Figure 14-20 we provide a handy chart to show you
where these instrumental voices are laid out on the keyboard.
?
œ C string
violincello
concert range
Low
œœœœ
G string
œœœœ
œ
D string
œœœœ
Middle
œœ
œœœ A string
&œ
High
œœœ
œœœœ
œœœœ
Figure 14-19:
Range for
the cello.
&
√
œ G string
violin
concert range
œœœœ
D string
œœœœ
œ
A string
œœœœ
œœ
E string
œœœœ
œ
œœœœ
œœœ
œ^ X^ X
Figure 14-18:
Range for
the violin.
180 Part IV: Orchestration and Arrangement