tences. Long sentences are very comforting and reassuring. They may be
best suited to the development of the core elements of your arguments,
which need to be analysed and elaborated carefully. But when you want
to be abrupt, to grab your reader ’s attention with a vivid piece of detail,
or an insight that you feel is a key point to get across, use a short sen-
tence – don’t let it get drowned in the words that surround it.
Checklist
1 Does it read well for someone reading it for the first time?
2 Is the pace and rhythm right for the arguments I want to make?
Using the checklists
As we’ve seen in previous stages, it always helps if you have a simple,
clear strategy to work with: even though you may know what you’re
looking for, it helps to have a checklist so you can deliberately ask your-
self questions which you just might overlook. It will also help you to
assess how well you’ve completed each stage of the process, so you
can see where you need to spend more time in the next assignment.
With these advantages in mind, get into the habit of using checklists
and try to answer the questions as you think your examiners might
answer them when they assess your work.
Appearance
Does your essay have a neat professional appearance?
Amid every other consideration, this last question appears to be the
least significant. And, of course, it is, or it should be. But first impres-
sions count, however unfair this may seem. Despite every effort made
to ensure that each essay is subjected to the same objective criterion
for assessment, marking still contains an element of subjectivity. Most
people find it difficult to shake off their first impressions as they read
an essay.
What’s more, there may be an inductive truth here. There are people
who’re convinced that experience shows that a sloppily presented
essay is more than likely to be sloppily argued. It’s likely to lack suffi-
cient attention to detail in terms of accuracy and the evidence used
to support arguments convincingly. Whether these views have any
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