Grimoire for the Apprentice Wizard

(backadmin) #1

Course Four: Rites 159


Synchronicities, Perspiration, and Manifestation.
An example is this Grimoire I am writing at this
moment. It began with an inspired Vision, which I
had when I went to see the first Harry Potter movie in
December 2001, with a bunch of kids like you. My
Witchy wife, Morning Glory, and I had been invited
to come and talk to a Jewish schul (“school”) about
real Witchcraft and Wizardry. After the talk, we all
went to see Harry Potter and the Sorcerer’s Stone.
Morning Glory and I were in our full magickal rega-
lia, of course, but many of the kids were also wearing
capes and cloaks. The theater was packed, and we sat
way in the back. As I looked over that huge audience
of all those kids, I had several flashes of insight.


  1. Inspiration
    The first thing that came to me was that many of
    the kids in this audience (and in similar audiences all
    over the world over the next few years, as new books
    and movies keep coming out) are going to be inspired
    to become Witches and Wizards themselves. And I
    thought, how can I, as a practicing
    Wizard, offer something to help?
    So my next thought was that
    the first thing they will
    need to do is establish
    a personal altar. And
    I make altar statues.
    So I decided to create
    a pair of special God
    and Goddess altar
    statues just for kids.
    My third thought
    was that you will need
    a handbook of real
    Wizardry. So at the
    same time I was working on the statues, I started mak-
    ing an outline of what such a book should contain. I
    wrote the opening “Wizardly Soliloquy,” which I read
    at our Bardic ritual for Imbolg, in honor of Brigit,
    Irish goddess of creative inspiration. Over the next
    few months, I kept coming back to it and adding more
    stuff, rearranging the order, and putting in notes.

  2. Synchronicities
    The new statues arrived from our factory at the
    beginning of June, 2002, and I set up a little altar with
    them, and did a ritual for success in reaching the teen
    market. Then over Summer Solstice, I went to the In-
    ternational New Age Trade Show in Denver, Colo-
    rado, for the first time to show off my line of statuary
    to prospective stores. While there, I ran into a Wiccan
    friend, Trish Telesco, who has written about 40 books
    on Witchcraft and magick. She chided me over not
    having yet written any books of my own and offered
    to introduce me to her publisher, New Page Books,
    who happened to have a booth there also. So I sat


down to talk with these fine folks, and of course they
wanted to know what kind of a book I had in mind to
write. I explained my idea for this Grimoire, and prom-
ised to send them a proposal and chapter outline.
A few weeks later, I was attending a large
magickal festival as a speaker, and I ran into a friend
who had modeled for one of my statues. And she told
me that she was now working as a publicist for New
Page! By this time the Synchronicity Wave was get-
ting far too big to ignore. When I got home, I received
a huge bouquet of flowers, with a card saying: “From
your friends at New Page.”


  1. Perspiration
    Over the next few months we were in constant
    communication, working out the details of what this
    book would look like—contents, size, cover design,
    everything. Over the Internet, I contacted other Sages,
    Mages, Wizards, and Wise Ones I knew throughout
    the magickal community and set up the Grey Coun-
    cil. Everyone was very enthusiastic about this project.
    I re-read all my favorite fantasy books fea-
    turing Wizards, and I dragged dozens of my
    magickal books off my shelves and started
    looking things up, spreading books open all
    over my desk and floor. I also began avidly
    watching all the TV shows featuring
    “magickal” kids in high school: Sabrina,
    Buffy, Roswell, and Smallville. I wanted to
    completely saturate myself in this milieu.
    And writing—every day I am putting
    in at least a good 8–10 hours at my
    console. I am thinking about this book
    constantly—even in my dreams! I am
    meeting regularly with several new
    Apprentices, showing them each Class
    as I write it, and using this as our actual study mate-
    rial. And all this energy will be released for me in De-
    cember when I send off the finished copy to be printed.

  2. Manifestation
    And now, finally, you are holding this Grimoire
    in your hands, and reading these words. It came into
    being through magick, starting with an inspired Vi-
    sion. And all the rest has been a process of turning
    that Vision into a concrete Manifestation. This is the
    way true magick works, and you can do it too. All
    you have to do is wrap as many things in your life as
    possible around the thing you are trying to accom-
    plish, to the point where it becomes the focus of all
    your thought and attentions. And thus, you shift the
    probabilities so that, as suffragette Susan B. Anthony
    said, “Failure is impossible.”


“To accomplish great things we must not only act,
but also dream; not only plan, but also believe.”
—Anatole France


  1. Rites.p65 159 1/15/2004, 9:08 AM

Free download pdf