Board_Advisors_etc 3..5

of the Screwat the Piccola Scala at Milan; photographed

jewelry for Arnaldo Pomodoro, 1969–1970. Fell ill, 1970

and undertook last series titledla Verifiche. Died 2 March

1973 in Milan, Italy.

Individual Exhibitions

1960 XII triennale di Milano; Piccolo Teatro; Milan, Italy
1967 New York: The New Art Scene; Galleria II Dia-
framma; Milan, Italy
1969 Campo Urbano; Como, Italy
1971 Kunstler in New York, 1964; Kunsthalle; Basel, Swit-
zerland
Verifiche; Galleria dell’Ariete; Milan, Italy
1972 Marcel Duchamp; Galleria Multicenter; Milan, Italy
1973 Ugo Mulas Immagini e Testi; Palazzo della Pillota;
Parma, Italy
1974 Ugo Mulas fotograpfo; Kunsthalle; Basel, Switzerland
1978 L’avantguardia Americana, fotografie di Ugo Mulas;
Villa Panza di Biumo; Varese, Italy
1982 Ugo Mulas, Alexander Calder a Sache ́e a Roxbury,
196–1965; Galleria dell’ Immagine; Rimini, Italy
1983 Ugo Mulas, David Smith working in Italy; Accademia
Americana; Rome, Italy
1984 Ugo Mulas, Fotografos 1928–1973; Muse ́e Rath; Gen-
eva, Switzerland
1986 Ugo Mulas Photographs New York Art Scene‘60s;M.
Gallery; Tokyo, Japan
1988 Ugo e gli scultori Fotografie di Ugo Mulas dal 1960 al
1970 ; Galleria L’Isola; Rome, Italy

Group Exhibitions

1971 Castellini, Ugo Mulas, Pistolleto; L’Ariete Grafica;
Milan, Italy
1973 Combattimento per un’immagine, fotografie e pittori;
Galleria Civica d’Arte Moderna; Turin, Italy

1974 Contemporanea; Parcheggio di Villa Borghese; Rome,

Italy

1977 Documenta 6; Museum Fridericianum; Kassel, Ger-

many

L’occhio di Milano, 48 fotografi 1945–1977, Rotonda

di Via Besana; Milan, Italy

1983 La sperimentazione negli anni 1930/1970; Galleria

Comunale d’Arte Moderna; Bologna, Italy

1987 La Fotografia vista da Leonardo Sciascia Ignoto a me

stesso; Mole Antonelliana; Turin, Italy

1988 Storie dell’ochio/Fotografi ed eventi artistici in Italia

dal’60 all’80; Galleria Civica & Palazzina dei Giardini

Pubblici; Modena, Italy

1989 150 anni di fotografia in Italia: un itinerario; Palazzo

Rondanini alla Rotonda; Rome, Italy

L’insistenza dello sguardo. Fotografie italiane 1839–

1989 ; Palazzo Fortuny; Venice, Italy

Selected Works

Bar Giamaica, Milan, 1953–1954

David Smith, 1962

Andy Warhol, 1964

Lucio Fontana, 1965

Marcel Duchamp, 1965

Verifica, 1971

Further Reading

Muraro, Michelangelo, and Peggy Guggenheim. Ugo

Mulas,Invito a Venezia. Milan: Mursia, 1962.

Lodi, Mario, and Palmira Maccarini. Trenta bambini

Mulas una citta`. Venizia: La Biennale, 1976.

Mulas, Ugo, and Hendel Teicher.Ugo Mulas: fotografo

192–1973. Gene`ve: Muse ́e d’art et d’histoire, 1984.

Celant, Germano.Ugo Mulas. New York: Rizzoli, 1990.

Cavazzi, Lucia, and Germano Celant.Ugo Mulas. Milan:

Federico Motta, 1993.

MULTIPLE EXPOSURES AND

PRINTING

Multiple images in photographic prints are created
through a number of methods: multiple exposures
with or without a flash in the camera, sandwiching
negatives in the darkroom, printing from multiple
negatives and enlargers in the darkroom, and digi-
tal manipulation. These techniques have been used
through most of photography’s history for creative
and technical control over images.

Multiple exposuresconsist of exposing one piece

of film more than once in the camera. This is

achieved through a variety of techniques, depend-

ing on the film format and camera specifications.

Medium and large format film (as used in view

cameras) can be easily exposed multiple times by

not changing or forwarding the film inside the

camera. Some point-and-shoot and 35-mm cam-

MULTIPLE EXPOSURES AND PRINTING