1992 Parents; Museum of Contemporary Art, Wright State
University, Dayton, Ohio
flesh & blood; Friends of Photography, San Francisco,
California
Selections 2, Work from the Polaroid Collection; Photo-
kina, Cologne, Germany, and traveling
1993 Tufts University Art Gallery, Medford, Massachu-
setts; Fleming Museum, Burlington, Vermont
1996 Embedded Metaphor; Independent Curators Inc., New
York, New York, and traveling
The Familial Gaze; Hood Museum of Art, Dartmouth
College, Hanover, New Hampshire
The Enduring Illusion; Stanford Museum of Art, Stan-
ford, California
1997 Telling Our Own Stories: Florida’s Family Photo-
graphs; The Southeast Museum of Photography, Day-
tona Beach, Florida
1999 The Changing Face of the Family; The Jewish Museum,
New York, New York
Defining Eye: Women Photographers of the Twentieth
Century; UCLA Hammer Museum of Art, Los
Angeles, California; National Museum for Women in
the Arts, Washington, D.C.
Landshapes;Southeast Museum of Photography, The
Southeast Museum of Photography, Daytona Beach,
Florida, and traveling
2000 Voyages Per(formed): Early Photography and Travel;
The Southeast Museum of Photography, Daytona
Beach, Florida; 2001, Photographic Resource Center,
Boston, Massachusetts
2001 At Home: Domestic Imagery in Modem Art; Victoria
and Albert Museum, London, EnglandSelected Works
Critical Distance, slide installation, 1987–1988
Traces, slide/sound installation, 1990–1991
Playback, slide/sound installation, 1992
Collected Visions I, slide installation with music by Elizabeth
Brown, 1993–1994Lorie Novak, Excerpt from ‘‘layback,’’ slide installation with live radio scan, Lorie Novak,
1992; wall images, 16 240 , pool 5^0 in diameter.
#Lorie Novak, 1992. Courtesy of the artist, [http://www.lorienovak.com]
NOVAK, LORIE