Board_Advisors_etc 3..5

fornia, 1929; Federal Arts Project, 1935. Elected to

London Salon of Photography, 1917; John Simon

Guggenheim Fellowships, 1937–1939. Died in Carmel,

California, 1 January 1958.

Individual Exhibitions

1922 Academia de Bellas Artes; Mexico City, Mexico
1923 Atzec Land Gallery; Mexico City, Mexico
1930 First one-man show; Delphic Studios; New York, New
York
1937 San Francisco Museum of Art; San Francisco, Cali-
fornia
1946 Retrospective; Museum of Modern Art, New York,
New York
1950 Retrospective; Paris, France
1956 The World of Edward Weston; Smithsonian Institu-
tion, Washington, D.C., and traveling
1986 Centennial Retrospective; Center for Creative Photo-
graphy, Tucson, Arizona
1990 Weston’s Westons; Museum of Fine Arts, Boston,
Massachusetts; and Baltimore Museum of Art, Balti-
more, Maryland
1955 The Garden of Earthly Delights: Photographs by
Edward Weston and Robert Mapplethorpe; UCR/Califor-
nia Museum of Photography, Riverside, California
2000 Edward Weston: Photography and Modernism; Mu-
seum of Fine Arts, Boston, Massachusetts

Group Exhibitions

1925 Edward Weston and Tina Modotti; Museo de Estado;
Guadalajara, Mexico
1930 Harvard Society for Contemporary Art; Cambridge,
Massachusetts
1931 f/64 Group; M.H. de Young Museum, San Francisco,
California
1948 This is Contemporary Art; Museum of Modern Art,
New York, New York

Selected Works

Pipes and Stacks: Armco, Middletown, Ohio, 1922
Tina on the Azotea, 1923

Diego Rivera, 1924

Torso of Neil, 1925

Tres Ollas, 1926

Chambered Nautilus, 1927

Pepper, 1929

Jose ́Clemente Orozco, 1930

Cabbage Leaf, California, USA, 1931

Dunes, Oceano, 1936

Nude, 1936

Surf, China Cove, Point Lobos, 1938

Floating Nude, 1939

Eroded Rocks, South Shore, Point Lobos, 1948

Point Lobos, 1946

Further Reading

Conger, Amy.Edward Weston in Mexico, 1923–1926.Albu-

querque: University of New Mexico Press, 1983.

Hooks, Margaret.Tina Modotti: Photographer and Revolu-

tionary.London and San Francisco: Pandora-Harper

Collins Publishers, 1993.

Maddow, Ben.Edward Weston: His Life.New York: Aper-

ture Foundation, 1989.

Modotti, Tina, and Amy Stark, eds.The Letters from Tina

Modotti to Edward Weston.Tucson, AZ: Center for

Creative Photography, University of Arizona, 1986.

Mora, Gilles, ed.Edward Weston: Forms of Passion.New

York: Harry N. Abrams, Inc., 1995.

Newhall, Beaumont, and Amy Conger, eds.Edward Weston

Omnibus: A Critical Anthology.Salt Lake City: G.M.

Smith-Peregrine Smith Books, 1984.

Newhall, Beaumont.Supreme Instants: The Photography of

Edward Weston.Boston: Little, Brown, 1986.

Newhall, Nancy, ed.Edward Weston: The Flame of Recogni-

tion.New York: Aperture, Inc., 1965; 4th edition, 1997.

Weston, Edward, and Nancy Newhall, eds.The Daybooks of

Edward Weston.Millerton, New York: Aperture, Inc., 1973.

Weston, Edward, and Theodore E. Stebbins, Jr., eds.Wes-

ton’s Westons: Portraits and Nudes. Boston: Museum of

Fine Arts, 1989.

Wilson, Charis, and Wendy Madar.Through Another Lens:

My Life with Edward Weston.New York: North Point

Press, 1998.

CLARENCE WHITE

American

Clarence H. White, one of the founders of the
Photo-Secession, is now known chiefly as an edu-
cator who founded an important center for pho-
tographic training at Columbia University in New

York. His achievements as a photographer, how-

ever, continue to be of interest, exemplifying the

pure currents of Pictorialism as it developed at the

turn of the twentieth century in the United States.

His photographs of gentle, domestic subjects were

realized in beautifully modulated platinum and gra-

WESTON, EDWARD