Artists’ books (Continued)
Russian Futurism, 73
Surrealism, 73, 74
technology changes and, 73
Visual Studies Workshop, 74
Walker Evans and, 74
World Wide Web, 73
Associated Press, 15
Astrophotography, 76–78
ability to track stars, 78
autoguided photography, 78
camera and tripod, 78
camera in space, 77
charge-coupled device, 77
color, 77
Daguerreotype, 76
dry emulsions, 76, 77
fleeting image of celestial body, 76
Frederick Scott-Archer and, 76
further reading, 78
George Eastman and, 77
Hasselblad cameras, 77
Hubble Space Telescope, 77
invention of celluloid-based photographic film, 77
Kodak 103a spectroscopic films, 77
Louis Daguerre and, 76
lunar calendars, 76
marketing of Kodachrome process, 77
Mars Pathfinder mission, 77
most accessible type of, 78
night sky movements, 76
Palomar Observatory, 77
piggyback photography, 78
professional observatories, 77
Ritchey-Chretien telescope, 77
spectroscopy, 76
Warren de la Rue and, 76
wet Collodion process, 76
wet plate process, 76
Atget, Euge`ne, 56, 78–82
Andre`Calmettes and, 78, 82
Avenue des Gobelins, 80, 81
Berenice Abbott and, 78, 79
biography, 82
collections purchased, 82
contradictions of Paris, 80
customers, 79
dislike of commissions, 79
faulty technique, 80
French, 78–82
further reading, 82
habits, 80
Hausmannizaton, 79
intriguing aspect of photos, 79
La Revue des Beaux-Arts, 79
life reconstructed, 78
Man Ray and, 78, 80
natural images, 79
objet trouve ́, 80
paper selection, 80
photographic style, 80
photographs of Old Paris, 79
reason for lack of recognition, 80
recording of landmarks before destruction, 79
Salvador Dali and, 82selected works, 82
self-taught photographer, 79
straight photographer, 80
subject matter, 80
Surrealists and, 80
typology and, 1563
unknown at death, 78, 82
use of rapid rectilinear lens, 80
works at Bibliothe`que Nationale de France, 129
Auerbach, Ellen, 82–86
Abyssinian war, 84
American, 82–84
baby photographer, 84
biography, 84
carbo printing process, 84
commissions, 84
confusion between living model and manikin, 83
creative interplay, 83
education, 83
experimentation, 83
financial independence, 83
further reading, 84
Grete Stern and, 82
group exhibitions, 84–86
Hitler’s rise to power and, 82, 83
immigration to United States, 84
individual exhibitions, 84
Ishon, 83
Jewish National Fund, 83
montage, 83
Mounting Tension,84
Neue Sehen, 83
New York School circles, 84
object as cultural study, 83
pioneering woman-run photography studio, 82
ringl + pit, 83, 85
study of sculpture, 83
third eye, 83
Willem de Kooning and, 84
Women’s International Zionist Organization, 83
work in Palestine, 83–84
Australia, 86–91
advent of New Media, 90
appropriate of imagery from various sources, 89
Art Gallery of New South Wales, 88
Australasian Photo-Review,87
Australian Centre for Contemporary Photography, 88
Australian National Gallery, 88
Axel Poignant, 88
best-known photo-journalist, 88
Bicentennial, 89
B-grade films, 89
Brotherhood of the Linked Ring, 87
camera as aesthetic tool, 88
Carol Jerrems, 88
collaborative approach in documentary work, 88
corpse of photography, 90
diversity in photography, 89
Documentary photography, 88
Documentary style, 87
Felix H. Man Memorial Prize, 90
first professional Aboriginal photographer, 88
free settler population, 86
George Goodman, 86
Harold Cazneaux, 86INDEX
I6