Bischof, Werner (Continued)
interior designer, 133
internalized effects of war, 133
international press, 134
Lifemagazine, 134
most famous reportage, 134
most well-known pictures, 133
New Vision school, 133
painting, 133
photo essays, 133
photoessays, 134
post-World war II photojournalists, 133
poverty of Indian people, 134
primary subject, 133
selected works, 136
Swiss National Exposition, 133
Swiss, 133, 134
symbolic communication, 134
technically-oriented photography, 133
technique, 134
tranquil compositions, 134
Winter Olympics, 134
Black Star, 136–138
America’s first large-format picture magazine, 137
appetite of magazines for photographs, 137
corporate business and, 137
Deutscher Verlag, 137
founders, 137
further reading, 138
Henry Luce and, 137
importance of in history of twentieth-century photography,
137
Lifemagazine, 137
mid-1930s photojournalism, 136
Mike Cowles and, 137
Nazi news agency, 137
noncredited press images, 136
origins, 137
proliferation of photographically-illustrated magazines, 137
public support for newspapers, 136
Blossfeldt, Karl, 138–141
apprenticeship, 138
Berlin gallerist, 139
Berlin School of Arts and Crafts, 139
biography, 139
flower documents, 138
further reading, 141
group exhibitions, 139
ideas, 138
individual exhibitions, 139
industrial designs, 139
intention to publish teaching methods, 138
Karl Nierendorf, 139
Kunstgewerbeschule, 138, 139
Moritz Meurer, 139
photo-herbarium, 112
plant photography, 138
reorientation, 139
sculpture, 138
selected works, 141
similarity to avant-garde art, 139
size of negative format, 138
still life painters, 138
systematically photographed plants, 139
task in beginners’ classes, 139
vision, 138
Wundergarten der Natur, 139
Blumenfeld, Erwin, 141–143
American, 141, 142
apprenticeship, 141
Askanisches Gymnasium, 141
biography, 143
bourgeois life, 141
Dada founder, 141
Der Sturm, 141, 142
establishment as Dada artist, 142
fashion photographer, 142
father’s mental deterioration, 141
first camera, 141
first portfolio, 142
founding members of Berlin Dada movement, 142
Fox Leather Company, 142
further reading, 143
group exhibitions, 143
Harper’s Bazaar, 142
Hebrew Aid Society, 142
individual exhibitions, 143
Kaiser Friedrich Museum, 141
Photographie, 142
recurrent theme, 141
selected works, 143
Tristan Tzara, 141
Verve, 142
Voguemagazine, 142
works published posthumously, 142
BnF,seeBibliothe`que Nationale de France
Body art, 143–146
Abstract Expressionism and, 143
American Happenings artist, 143
arrangement of photographs into tableau, 145
Azione sentimentale, 145
bodies as instruments of artistic work, 143
Chris Burden, 144, 145
coining of term body works, 144
Conversion II, 145
differences in practitioners, 143
Doorway to Heaven, 145
Fountain, 144
freezing of flow of time, 145
French Art Informel figures, 143
Hannah Wilke, 145
icon of postwar contemporary art, 144
Jackson Pollock, 143
Life-Video-Performance, 145
Marcel Duchamp, 144
Marina Abramovic, 144
photography documenting, 144
scatological actions, 144
Self-Portrait as a Fountain, 144
spectrum of photography, 145
Super 8 film, 145
Through the Night Softly, 145
variations of, 144
Vienna Actionism movement, 144
Vito Acconci, 144
Boltanski, Christian, 146–149
biography, 147
French, 146, 147
further reading, 149
group exhibitions, 148INDEXI13